“Henri Matisse and I were already working, before the 1900 Exhibition, as far back as 1898, in what was later to be called the Fauve style.”

— Albert Marquet

As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 18
[Marquet's quote refers to the Spring and Summer of 1898 - after the death of their common Paris' art-teacher Gustave Moreau; Marquet was then painting together with Henri Matisse ].

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Albert Marquet 12

French artist 1875–1947

Robert Motherwell (1915–1991) American artist

Conversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983
after 1970

“I love to experiment with all styles, and do not have any particular prejudice or bias towards any specific style. These works appear, and they turn out, the way they should. I do not decide in what style I want to paint. I am only experimenting. Even Picasso, when he arrived at Cubism, had already experimented with a lot of other styles.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

“Total abstraction was something intellectual to me. I didn't feel it; I could talk about Mondrian but it didn't occur to me to do it. [around 1950]. I saw a Dubuffet show at Pierre Matisse [the son of Henri Matisse, running an art-gallery in New York then] in the late forties and came back with a new vocabulary. Also when Baziotes won the Carnegie (1948) there was a reproduction in 'The Times'. I remember bringing it to class. It was source of bewilderment, delineated configurations that seemed to come out of Cubism. It was something new. Those were the tastes of a whole dimension that was to come, much more abstract and allover and I didn't see much more of it until I came to New York. I would go to the old Guggenheim to look at Kandinsky. I liked the early abstractions but the later ones I didn't like at all..”

Helen Frankenthaler (1928–2011) American artist

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 36

“When I first saw the work of the Impressionists, Van Gogh, Van Dongen and the Fauves, I admired it. But I had to seek the true way alone.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: Quote of Mondrian about his 1890' years; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

“To do a dull thing with style-now that's what I call art.”

Charles Bukowski (1920–1994) American writer

Variant: It's better to do a dull thing with style than a dangerous thing without it.

“I could not find my way back in dreams, I knew then. They were memory and desire, terror and hope; they told me only what I already knew.”

Patricia A. McKillip book Winter Rose

Source: Winter Rose (1996), Chapter 16, p. 155.

“Some of the Etudes in the first set, opus 10, were written by the time Chopin was twenty. It is with these pieces that Chopin's style was fully revealed in all its power and subtlety. Later works are sometimes more ambitious and, in a few cases, more audacious, but there were no radical changes of style, nothing to compare to the later revolutions we find in the careers of Haydn and Beethoven, or even in the shorter lives of Mozart and Schubert. Chopin's mastery was proven with the twelve Etudes of opus 10.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

“Bracquemond tells me that he looked attentively at my works at our exhibition. Far from objecting to them, as I expected, he said they were compactly drawn, and modeled, but he is shocked by the dots; he enjoined me to stick to divisionism but not to use the dot.”

Camille Pissarro (1830–1903) French painter

I said nothing to him of our experiments. He told me that of all the impressionist painters he liked my work best; this was not the first time he had said this; to each one his own taste. He does completely accept my view that the old disorderly method of execution has become impossible.
Quote of Camille Pissarro, in a letter, Eragny, 23 January 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 97
1880's

“Capital must work, as it were, in concert with industry; and this concurrence is what I call the productive agency of capital.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter III, p. 73

“It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue.”

Yves Klein (1928–1962) French artist

In 1957; p. 31
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“Henri Matisse and I were already working, before the 1900 Exhibition, as far back as 1898, in what was later to be called the Fauve style.”

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Albert Marquet 12

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