“There are, it seems, two Muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say, “It is yet more difficult than you thought.” This is the muse of form. The first muse is the one mainly listened to in a cheap-energy civilization, in which “economic health” depends on the assumption that everything desirable lies within easy reach of anyone. To hear the second muse one must move outside the cheap-energy enclosure. It is the willingness to hear the second muse that keeps us cheerful in our work. To hear only the first is to live in the bitterness of disappointment.”

Source: The Eight

About The Oxford Muse http://www.oxfordmuse.com/index.htm Foundation in an article at The Gurteen Knowledge Website http://www.gurteen.com/gurteen/gurteen.nsf/0/241B42CCD52603DF802569D40049FA6D/
Context: I invented something called The Oxford Muse. The Muses were women in mythology. They did not teach or require to be worshipped, but they were a source of inspiration. They taught you how to cultivate your emotions through the different arts in order to reach a higher plane. What is lacking now, I believe, is somewhere you can get that stimulation not information, but stimulation where you can meet just that person, or find just that situation, which will give you the idea of invention, of carrying out some project which interests you, and show how it can become a project of interest to other people.

"Gore Vidal," interview by Gerald Clarke (1974), The Paris Review Interviews: Writers at Work, 5th series (1981)
1970s

Source: Essay on Translated Verse (1684), Line 173.

"Footprints in the Dust", p. 19
Memory and Dream (1994)

Ballads of a Bohemian (1921), It is later than you think http://plagiarist.com/poetry/4052/

Prologue to Thomson's Coriolanus; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Source: The Fiery Trial