
letter to Seumus O'Sheel, October 10, 1908, Hartley Archive, Archives of American Art; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 25
1908 - 1920
"Realism and Idealism in English Literature (Daniel Defoe - William Blake)," lecture, Università Popolare, Trieste (February 27-28, 1912), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, <small> ISBN 0-192-83353-7</small>], p. 179
letter to Seumus O'Sheel, October 10, 1908, Hartley Archive, Archives of American Art; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 25
1908 - 1920
Variant: When Suffering knocks at your door and you say there is no seat left for him, he tells you not to worry because he has brought his own stool.
The King v. Justices of Surrey (1794), 6 T. R. 78.
Naguib Mahfouz in: Gary Dexter (2010) Poisoned Pens: Literary Invective Form Amis to Zola. p. 226
Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.
“You mean to say he became mad deliberately?'
… Nothing is more likely,' said the duke.”
Source: Jonathan Strange & Mr Norrell
1870s, Society and Solitude (1870), Quotation and Originality
Variant: Genius borrows nobly. When Shakespeare is charged with debts to his authors, Landor replies: "Yet he was more original than his originals. He breathed upon dead bodies and brought them into life".
“He is not mad. He is only more clever than you. It is not the same.”
Volume 4, Ch. 10
Fiction, The Book of the Long Sun (1993–1996)
Statement of 1996, as quoted in Dr. Riemann's Zeros (2003) by Karl Sabbagh, p. 88
1990s