“The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.”

In this work are exhibited in a very high degree the two most engaging powers of an author. New things are made familiar, and familiar things are made new. ~ Samuel Johnson, "The Life of Alexander Pope" from Lives of the English Poets (1781) http://www.gutenberg.org/dirs/etext04/lvpc10.txt
Misattributed

The Aspern Papers; The Turn of the Screw; The Liar; The Two Faces.
Prefaces (1907-1909)

Source: Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values

Source: The Lucky One

The Life of Pope
Lives of the English Poets (1779–81)

Variant: The emotion is Janus-faced: we are torn between a nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
Source: The Heart is a Lonely Hunter

Foreword http://www.psychedelic-library.org/childf.htm
LSD : My Problem Child (1980)
Context: There are experiences that most of us are hesitant to speak about, because they do not conform to everyday reality and defy rational explanation. These are not particular external occurrences, but rather events of our inner lives, which are generally dismissed as figments of the imagination and barred from our memory. Suddenly, the familiar view of our surroundings is transformed in a strange, delightful, or alarming way: it appears to us in a new light, takes on a special meaning. Such an experience can be as light and fleeting as a breath of air, or it can imprint itself deeply upon our minds.
One enchantment of that kind, which I experienced in childhood, has remained remarkably vivid in my memory ever since. It happened on a May morning — I have forgotten the year — but I can still point to the exact spot where it occurred, on a forest path on Martinsberg above Baden, Switzerland. As I strolled through the freshly greened woods filled with bird song and lit up by the morning sun, all at once everything appeared in an uncommonly clear light. Was this something I had simply failed to notice before? Was I suddenly discovering the spring forest as it actually looked? It shone with the most beautiful radiance, speaking to the heart, as though it wanted to encompass me in its majesty. I was filled with an indescribable sensation of joy, oneness, and blissful security.
I have no idea how long I stood there spellbound. But I recall the anxious concern I felt as the radiance slowly dissolved and I hiked on: how could a vision that was so real and convincing, so directly and deeply felt — how could it end so soon? And how could I tell anyone about it, as my overflowing joy compelled me to do, since I knew there were no words to describe what I had seen? It seemed strange that I, as a child, had seen something so marvelous, something that adults obviously did not perceive — for I had never heard them mention it.
While still a child, I experienced several more of these deeply euphoric moments on my rambles through forest and meadow. It was these experiences that shaped the main outlines of my world view and convinced me of the existence of a miraculous, powerful, unfathomable reality that was hidden from everyday sight.

Source: Anne of the Island (1915), Ch. 3