
Richard Long, British Council (1994). Richard Long: São Paulo Bienal 1994.
1990s
Richard Long, British Council (1994). Richard Long: São Paulo Bienal 1994.
1990s
Richard Long, British Council (1994). Richard Long: São Paulo Bienal 1994.
1990s
Richard Long & Kenneth Martin (1980) in: D. Ashton (1985), Twentieth-Century Artists on Art, p. 151
1980s
1947 - 1960
Source: Interview in Dialogues on Art, Edouard Roditi; London, 1960, pp. 91–92
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 25
Source: Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values
Context: I think that if we are going to reform the world, and make it a better place to live in, the way to do it is not with talk about relationships of a political nature, which are inevitably dualistic, full of subjects and objects and their relationship to one another; or with programs full of things for other people to do. I think that kind of approach starts it at the end and presumes the end is the beginning. Programs of a political nature are important end products of social quality that can be effective only if the underlying structure of social values is right. The social values are right only if the individual values are right. The place to improve the world is first in one's own heart and head and hands, and then work outward from there. Other people can talk about how to expand the destiny of mankind. I just want to talk about how to fix a motorcycle. <!-- p. 304
Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27
Quoted by Mary Chamot, Dennis Farr and Martin Butlin, in Tate Gallery Catalogues: The Modern British Paintings, drawings and Sculpture, Volume II (Oldbourne Press, London, 1964), p. 481 http://www.henry-moore-fdn.co.uk/matrix_engine/content.php?page_id=3689
his remark, concerning the placement of his large sculpture 'Knife Edge – Two Piece', 1962 https://www.parliament.uk/about/art-in-parliament/global/print/?art=S715 - located near the House of Lords.
1955 - 1970