“When we don't take years of experience into account, it is easy for a woman to become discouraged when she reads headlines such as 'Study of TV News Directors Finds Discrimination Against Women.' When a woman in the mid-1980's read that TV news directors who were women got paid about 27% less than men directors, it might have made her avoid the field… If, on the other hand, a headline more accurately reflecting the study's core findings, read 'Female Managers Become TV News Directors Three Times as Quickly as Men,' well, that would have made a woman feel wanted… In brief, the road to higher pay is a toll road. But at this point in history, there are female tollbooths and male tollbooths, and the toll charged to women is lower. This should encourage every woman who wishes to embark on the road to higher pay to take it while the tolls are still low, and every man who wishes to be with his children--or just wishes to support the career-focused woman he loves--to be aware that there was never a better time to be a great dad and go with your wife's flow.”

— Warren Farrell

Source: Why Men Earn More (2005), p. 85-87.

Adopted from Wikiquote. Last update June 3, 2021. History

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Warren Farrell 467

author, spokesperson, expert witness, political candidate 1943

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“I am sure I speak for all my sisters when I say that we prefer to be known as directors, not just as women directors. To the eternal question that I am plagued with — what is the main disadvantage of being a woman director — my answer is: being endlessly harangued with this very question”

Sai Paranjpye (1938) Indian film director

FirstPost article by Chintan Girish Modi - Originally an excerpt from Sai Paranjpye's English Autobiography titled "A Patchwork Quilt: A Collage of My Creative Life", published by HarperCollins India - In A Patchwork Quilt, renowned filmmaker Sai Paranjpye reflects on her creative practice, flaws, and failures https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html - 8 December 2020 - Archive https://web.archive.org/web/20210901095737/https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html
Quotes from Sai Paranjpye

“The more active working directors become, the more closely involved they resemble the executives now responsible for providing business leadership. A full-time working director is merely another official who is also a director. Wide adoption of the proposal for professional directors, particularly if management is able to select the directors itself, may merely make general the situation now found in some companies in which only the executive group is represented on the board.”

Robert Aaron Gordon (1908–1978) American economist

Source: Business Leadership in the Large Corporation (1945), p. 346-7

“During the years I was on the board of directors of the National Organization for Women [chapter] in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives—they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband’s (her) income.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part 1: The Myth of Male Power, p. 46.

“I remember when hard-core first became commonplace, and there were discussions about what it would be like if a serious director ever made a porn movie. The answer, judging by Anatomy of Hell, is that the audience would decide they did not require such a serious director after all.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/anatomy-of-hell-2004 of Anatomy of Hell (12 November 2004)
Reviews, One-star reviews

“I moved into directing for a couple of reasons. … Most directors, I discovered, need to be convinced that the screenplay they’re going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, "Why am I out there looking for directors?" — because you look at a list of directors, it’s all boys. It certainly was when I started as a screenwriter. So I thought, "I’m just gonna become a director and that’ll make it easier."”

Nora Ephron (1941–2012) Film director, author screenwriter

In the documentary Dreams on Spec (2007)

“On the fourth level, he embodies the mind and becomes a mediator of creative and religious inner experiences, through which life acquires an individual meaning. At this stage he confers on a woman a spiritual and intellectual solidity that counterbalances her essentially soft nature. He can then act as a liaison connecting her with the spiritual life of the time. When this occurs, women are often more open to new, creative ideas than men. That is why in the past women were often used as mediums able to make knowledge of the future available to the world of the spirit. The creative courage in the truth conferred by the animus gives a woman the daring to enunciate new ideas that can inspire men to new enterprises. Often in history women have recognized the value of new creative ideas earlier than men, who are more emotionally conservative. The nature of woman is more closely related to the irrational, and this makes a woman better able to open to new inspirations from the unconscious. The very fact that women normally participate less in public life than men do makes it possible for their animus to act as a "hidden prince" in the darkness of private life and bring about beneficial results.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 322 - 323

“[on being a director] It's the best job in the picture business because when you're a director, you're God. And you know that's the best job in town.”

Burt Lancaster (1913–1994) American actor and producer

other quotes

“Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/humpday-2009 of Humpday (22 July 2009)
Reviews, Three-and-a-half star reviews

“Women do not enter a profession in significant numbers until it is physically safe. So until we care enough about men’s safety to turn the death professions into safe professions, we in effect discriminate against women. But when we overprotect women—and only women—it also leads to discrimination against women. …If [an employer works] for a large company for which quotas prevent discrimination, they find themselves increasingly hiring free-lancers rather than taking on a woman and therefore a possible sexual harassment lawsuit…”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 121.

“Children of Men is a solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. [Director Alfonso] Cuarón, the most openhearted of directors, prefers to give rather than take away.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2006/12/25/children/print.html of Children of Men (2006)

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Warren Farrell 467

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