“All men forget that colors have to radiate to give the big [spiritual] expression.”
(translation from German, Fons Heijnsbroek, 2018, Dutch version, Nederlandse versie van citaat uit haar brief:) Alle mannen vergeten dat kleuren stralen moeten om de grote uitwerking te geven..
In her letter of 7 Jan. 1916; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005, p. 193
her critic on artists like a. o. Piet Mondrian and Theo Van Doesburg
1910's
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Jacoba van Heemskerck 18
Dutch painter 1876–1923Related quotes
These people invite abuse ... By expecting to be hurt, do they subtly encourage it?
In a 1977 letter to girlfriend Elizabeth Kloepfer, quoted in Kendall, Elizabeth (September 1981). The Phantom Prince: My Life With Ted Bundy (Hardcover, 1st ed.). Seattle: Madrona. page 167
That is a problem because that creates a sense of not belonging, and invisibility. I felt so voiceless, and like I didn't matter. Like I was an inconvenience of space because I didn't look like the woman in the magazine or I didn't have the same upbringing as the people I was watching on television. But now that women of color are rising...a lot of women of color are bearing a lot of responsibility of healing their cultures, and there's a way that women are able to empathize deeply, and they are able to express things that can maybe help the mainstream culture understand. Because I think the more we tell different types of stories, the more tolerance there will be.
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Source: Life Together: The Classic Exploration of Christian Community
The Philomath Speaks An Interview with Anu Garg (Dec 15, 2009) http://www.nas.org/articles/The_Philomath_Speaks_An_Interview_with_Anu_Garg
15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
“Young men soon give and soon forget affronts;
Old age is slow in both.”
Act II, scene v.
Cato, A Tragedy (1713)
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105