“Dear Anita [ w:Anita Pollitzer ], don't forget w:Mary Cassatt [as one of her inspirations] — and I am not sure that your new paragraph will hold water [(Anita had sent her a chapter of the biography she was writing about Georgia] — We [artists] probably all derive from something — with some it is more obvious than with others — so much so that we can not escape a language of line that has been growing in meaning since the beginning of lines.”

— Georgia O'Keeffe

Quote from a letter to Anita Pollitzer, Abiquiu, New Mexico, January 17, 1956; as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 305
1950 - 1970

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Georgia O'Keeffe 59

American artist 1887–1986

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“Dear Anita, I read your manuscript some time ago and it has lain on my table —.. You have written your dream picture of me — and I am not that way at all. We are such different kinds of people that it reads as if we spoke different languages and didn't understand one another at all. You write of the legends others have made up about me — but when I read your manuscript, it seems as much a myth as all the others. I really believe that to call this my biography when it has so little to do with me is impossible — and I cannot have my name exploited to further it.”

Georgia O'Keeffe (1887–1986) American artist

In a letter to Anita Pollitzer, Abiquiu, New Mexico, February 28, 1968); as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 320
1950 - 1970

“Anita – I am so glad I'm out here – I can't tell you how much I like it. I like the plains – and I like the work [her painting] – everything is so ridiculously new – and there is something about it that just makes you glad you're living here – You understand – there is nothing here – so maybe there is something wrong with me that I am liking it so much.”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas, (September, 1916), p. 187
1910s, Letters to Anita Pollitzer' (1916)

“I read an interview with her one time, where she was asked, something along the lines of "Why do you write from the perspective of a lot of characters?" And she said very simply and eloquently "because they're more interesting than I am."”

St. Vincent (musician) (1982) American singer-songwriter

The Kate Bush Story (2014)

“I found myself staring at her, which was stupid since I'd seen her a billion times. Still, she seemed so much more mature. It was kind of intimidating. I mean, sure, she'd always been cute, but she was starting to be seriously beautiful.”

Rick Riordan book The Last Olympian

Source: The Last Olympian

“What was I supposed to say?….. did I tell them the Master had the hots for me, so I'd probably be okay? -Anita”

Laurell K. Hamilton (1963) Novelist

“Justice O'Connor has often been cited as saying that a wise old man and wise old woman will reach the same conclusion in deciding cases. I am not so sure Justice O'Connor is the author of that line since Professor Resnik attributes that line to Supreme Court Justice Coyle. I am also not so sure that I agree with the statement. First, as Professor Martha Minnow has noted, there can never be a universal definition of wise. Second, I would hope that a wise Latina woman with the richness of her experiences would more often than not reach a better conclusion than a white male who hasn't lived that life.”

Sonia Sotomayor (1954) U.S. Supreme Court Justice

Address to the Raising the Bar symposium (2001)

“To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.”

J.M. Coetzee book Life & Times of Michael K

Life & Times of Michael K (1983)
Context: He closed his eyes and tried to recover in his imagination the mudbrick walls and reed roof of her stories, the garden of prickly pear, the chickens scampering for the feed scattered by the little barefoot girl. And behind that child, in the doorway, her face obscured by shadow, he searched for a second woman, the woman from whom his mother had come into the world. When my mother was dying in the hospital, he thought, when she knew her end was coming, it was not me she looked to but someone who stood behind me: her mother or the ghost of her mother. To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.

“It was no longer her absence that wounded me, but my growing indifference to it. Forgetting, however calming, was also a reminder of infidelity to what I had at one time held so dear.”

Alain de Botton (1969) Swiss writer

Source: On Love

“Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by "close friend" Jennifer Lopez, arts.guardian.co.uk (March 30, 2007)
2007, 2008

“Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.”

Pablo Neruda book Twenty Love Poems and a Song of Despair

"Tonight I Can Write" (Puedo Escribir), XX, p. 49.
Source: Veinte Poemas de Amor y una Canción Desesperada (Twenty Love Poems and a Song of Despair) (1924)

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Georgia O'Keeffe 59

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