“He was the outlier of a new type: the first twentieth-century personality to be famous for being famous. If he toured Africa with 17 pieces of matched luggage, or got hit by a car crossing Fifth Avenue in New York, he wrote about it. His life became a forerunner of reality TV; in today’s terms, he did everything to seek celebrity but release a sex tape. A great question of Churchill biography, therefore, is how this Paris Hilton of British politics became the second coming of King Arthur.”

On her lover (artist) Lucian Freud in “Celia Paul on life after Lucian Freud: ‘I had to make this story my own’” https://www.theguardian.com/artanddesign/2019/oct/27/celia-paul-self-portrait-memoir-interview-lucian-freud in The Guardian (2019 Oct 27)

The Ballot or the Bullet (1964), Speech in Detroit, Michigan (12 April 1964)

J. Mordaunt Crook, " Burges, William (1827–1881) http://www.oxforddnb.com/templates/article.jsp?articleid=3972&back=&version=2004-09", Oxford Dictionary of National Biography, Oxford University Press, 2004

http://snltranscripts.jt.org/04/04eupdate.phtml

The Cultivation of Conspiracy (1998)
Context: The Latin osculum is neither very old nor frequent. It is one of three words that can be translated by the English, "kiss." In comparison with the affectionate basium and the lascivious suavium, osculum was a latecomer into classical Latin, and was used in only one circumstance as a ritual gesture: In the second century, it became the sign given by a departing soldier to a woman, thereby recognizing her expected child as his offspring.
In the Christian liturgy of the first century, the osculum assumed a new function. It became one of two high points in the celebration of the Eucharist. Conspiratio, the mount-to-mouth kiss, became the solemn liturgical gesture by which participants in the cult-action shared their breath or spirit with one another. It came to signify their union in one Holy Spirit, the community that takes shape in God's breath. The ecclesia came to be through a public ritual action, the liturgy, and the soul of this liturgy was the conspiratio. Explicitly, corporeally, the central Christian celebration was understood as a co-breathing, a con-spiracy, the bringing about of a common atmosphere, a divine milieu.

In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 10
1960s

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

Source: The King of Attolia