Charles Caleb Colton (1777–1832) British priest and writer
Vol. I; XLVIII
Lacon (1820)
Die Romane sind die sokratischen Dialoge unserer Zeit. In diese liberale Form hat sich die Lebensweisheit vor der Schulweisheit geflüchtet.
Lucinde and the Fragments, P. Firchow, trans. (1991), “Critical Fragments,” § 26
Charles Caleb Colton (1777–1832) British priest and writer
Vol. I; XLVIII
Lacon (1820)
Lawrence Lessig book Free Culture
Free Culture (2004)
Context: A simple idea blinds us, and under the cover of darkness, much happens that most of us would reject if any of us looked. So uncritically do we accept the idea of property in ideas that we don't even notice how monstrous it is to deny ideas to a people who are dying without them. So uncritically do we accept the idea of property in culture that we don't even question when the control of that property removes our ability, as a people, to develop our culture democratically. Blindness becomes our common sense. And the challenge for anyone who would reclaim the right to cultivate our culture is to find a way to make this common sense open its eyes.
So far, common sense sleeps. There is no revolt. Common sense does not yet see what there could be to revolt about.
“Let's try common sense. A novel concept.”
Barack Obama (1961) 44th President of the United States of America
2010, State Of The Union (January 2010)
Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)
Vanna Bonta Talks Sex in Space (Interview - Femail magazine)
Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)
or "am I somehow influencing reality around me?"
Vanna Bonta Talks About Quantum fiction: Author Interview (2007)
Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron
Rex v. Rusby (1800), Peake's N. P. Cases, 193.
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 381