“He saw her charming, but he saw not half
The charms her downcast modesty conceal'd.”

“Yet no stiff and frowning face was hers, no undue austerity in her manners, but gay and simple loyalty, charm blended with modesty.”
Nec frons triste rigens nimiusque in moribus horror sed simplex hilarisque fides et mixta pudori gratia.

“He saw her from the bottom of the stairs
Before she saw him.”

“He could do only one thing at a time. If he held her, he couldn't kiss her. If he kissed her, he couldn't see her. If he saw her, he couldn't feel her.”

“Perfectly beautiful: let it be granted her: where is the fault?
All that I saw (for her eyes were downcast, not to be seen)
Faultily faultless, icily regular, splendidly null,
Dead perfection, no more.”

“Then Sir Launcelot saw her visage, but he wept not greatly, but sighed.”

“Modesty is the gentle art of enhancing your charm by pretending not to be aware of it.”

“We saw the choices. The audience will be given the opportunity. They can see Him and Her, or they can see Them. … Well, for the cinephiles and the people who really want to commit, I would definitely say, “See Him and Her.” It’s the full experience. … I’ve always thought Him and Her. But it’s funny, in Toronto, when Harvey Weinstein saw the film for the first time, he saw Her and Him, and he was determined. He was like, “That’s how it has to be seen!””

“Translators are like busy match-makers: they sing the praises of some half-veiled beauty, and extol her charms, and arouse an irresistible longing for the original.”

“The appearance of [Virtue] was far different: her hair, seeking no borrowed charm from ordered locks, grew freely above her forehead; her eyes were steady; in face and gait she was more like a man; she showed a cheerful modesty; and her tall stature was set off by the snow-white robe she wore.”
[Virtutis] dispar habitus: frons hirta nec umquam composita mutata coma, stans vultus, et ore incessuque viro propior laetique pudoris celsa umeros niveae fulgebat stamine pallae.