
As quoted in Celtic Crossroads: The Art of Van Morrison (1997) by Brian Hinton, p. 106
Guitar Magazine, September 1992.
As quoted in Celtic Crossroads: The Art of Van Morrison (1997) by Brian Hinton, p. 106
Referring to the first Woody Guthrie record he ever heard, p. 243
Chronicles: Vol. One (2004)
QRO Magazine interview (2007)
Context: Some songs I wrote that night, and some songs took nine months to arrange, get how I positioned them. Some songs I wrote parts of when I was twelve, thirteen, fourteen, fifteen… Just putting it together, just finding the right place for it. So it's really been a long time coming.... I'm actually really restless, in the sense that I'd rather be always making something new. I'm really excited about making a second record. I've got a lot of things up my sleeve, I guess.
Source: When Gravity Fails (1986), Chapter 7 (p. 90).
Mohican Press interview (2005)
Context: There came a point in time, with all the difficulty, all the frustration, where I was quite content to be where I was. I suppose one could call it a kind of enchantment, I don't know. The shoot was so difficult on the crew and the extras. Often, it was unpleasant for them and many left. But difficulty also creates its own kind of beauty, I suppose. And while I don't revisit it unless asked, there is this sense of apartness I felt during that period of time from our own world. Perhaps the others felt the same, I'm unsure, and that is what you might feel when you watch the movie. We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.