“The real problem of living creatures is that for most of the time they are not aware that they are an active force. They become aware of it briefly -- as the lion tracks its prey, as the warrior gallops into battle -- but, for the most part, they feel as helpless as leaves carried on the wind. When we look back at our struggles, we often become aware of how much we have achieved. Meanwhile, as we plod along in the present moment, trying to anticipate the next problem, life seems a long uphill grind. Yet man has always had these moments in which he sees that things are not as bad as they appear -- those moments of exaltation or deep relaxation, when he suddenly becomes aware of the powers of his own mind. It is in these moments that he suddenly grasps the basic nature of his problem: that he is stifled and blinded by "close-upness" -- by the sheer pressure of the world against his senses. The moments of insight permit him a bird's-eye view of his own life, and make him aware that his everyday consciousness amounts to a worm's-eye view.”

Source: Immortality

Source: It Came from Within!: The Shocking Truth of What Lurks in the Heart

The Complete Neurotic's Notebook (1981), Unclassified

Susan Schneider and Max Velmans (2008). "Introduction". In: Max Velmans, Susan Schneider. The Blackwell Companion to Consciousness. Wiley.

Black Lives Matter Was Always Designed to Be a Global Movement, Vice] (7 July 2020)

As quoted in "Renowned activist and press freedom advocate Tawakul Karman to the Yemen Times: 'A day will come when all human rights violators pay for what they did to Yemen.'", in Yemen Times (3 November 2011)
2010s

Bisy Backson.
The Tao of Pooh (1982)

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.

from her 1989 piece for 'Artspace', 'The Current of the River of Life Moves Us'
1980 - 2000