
Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890
Quote from Werefkin's letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as cited in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
1906 - 1911
Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890
His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west
"To the Tune of ‘Like a Dream’", in The White Pony: An Anthology Of Chinese Poetry (G. Allen & Unwin, 1949), ed. Robert Payne, p. 300
“Roses red and violets blew,
And all the sweetest flowres that in the forrest grew.”
Canto 6, stanza 6
The Faerie Queene (1589–1596), Book III
Cardinal Flower, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 89.
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 174
1910, Manifesto of Futurist Painters,' April 1910
Quote from Werefkin's letter to Alexej von Jawlensky, 1910 Lithuanian Martynas-Mazvydas-National Library, Vilnius, RS (F19-1458,1.31) as reprinted in Weidle, Marianne Werefkin, Die Farbe beisst mich ans Herz, 108; as quoted in 'Identity and Reminiscence in Marianne Werefkin's Return Home', c. 1909; Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
1906 - 1911