Source: The Geller Phenomenon (1976), pp. 34-35
Context: The weakness of the attack lies in its lack of discrimination. It is possible that psychic surgery is a hoax, that plants cannot really read our minds, that Kirlian photography (photographing the "life-aura" of living creatures) may depend on some simple electrical phenomenon. But to lump all of these together as if they were all on the same level of improbability shows a certain lack of discernment. The same applies to the list of "hoaxes." Rhine's careful research into extrasensory perception at Duke University is generally conceded to be serious and sincere, even by people who think his test conditions were too loose. The famous fairy photographs are quite probably a hoax, but no one has ever produced an atom of proof either way, and until someone does, no one can be quite as confident as the editors of Time seem to be. And Ted Serios has never at any time been exposed as a fraud — although obviously he might be. We see here a phenomena that we shall encounter again in relation to Geller: that when a scientist or a "rationalist" sets himself up as the defender of reason, he often treats logic with a disrespect that makes one wonder what side he is on.
“A painter is somebody who sees. I paint the moment when I set out. When I set out to see. And it’s the same thing for the viewer. When he approaches the canvas, he is advancing towards an encounter. The encounter with vision.”
short quotes, 14 September 1967; p. 67
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
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Bram van Velde 97
Dutch painter 1895–1981Related quotes
Ch 2 : The Nature of Creativity, p. 41
The Courage to Create (1975)
Source: 1990's, Rauschenberg, Art and Live, 1990, p. 60
Guide for the Perplexed (c. 1190), Introduction
Context: You must know that if a person, who has attained a certain degree of perfection, wishes to impart to others, either orally or in writing, any portion of the knowledge which he has acquired of these subjects, he is utterly unable to be as systematic and explicit as he could be in a science of which the method is well known. The same difficulties which he encountered when investigating the subject for himself will attend him when endeavouring to instruct others: viz., at one time the explanation will appear lucid, at another time, obscure: this property of the subject appears to remain the same both to the advanced scholar and to the beginner. For this reason, great theological scholars gave instruction in all such matters only by means of metaphors and allegories.
Treasure in Clay: the Autobiography of Fulton J. Sheen, (New York, NY: Image Books/Doubleday, 1980)
“Minor things can become moments of great revelation when encountered for the very first time.”
Source: Margot Fonteyn : Autobiography (1975), p. 9
http://www.3d-dali.com/centennial-magazine/e-9-muse.htm, Salvador Dali Centennial Magazine – Amanda Lear, 15 June 2004, 3d-dali.com, 15 July 2018
Jeff Koons, San Francisco Museum of Modern Art, Walker Art Center (1992). Jeff Koons. p. 103
1990s and later
Describing the reaction of a 60,000 crowd of American Football fans and his bodyguard, while appearing as Bruno (the flamboyantly homosexual fashion journalist) at an NFL match http://www.timesonline.co.uk/article/0,,2092-2557633.html