“The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet’s Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.”

— Camille Paglia

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 42

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Camille Paglia 326

American writer 1947

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“Women are not in control of their bodies; nature is. Ancient mythology, with its sinister archetypes of vampire and Gorgon, is more accurate than feminism about the power and terror of female sexuality.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 30

“Feminists had an astoundingly naive view of the mutual exclusiveness of sex and aggression, which, Freud demonstrates, are fused in the amoral unconscious, as revealed to us through dreams. That rape is simply what used to be called “unbridled lust,” like gluttony a sin of insufficient self-restraint, seems to be beyond the feminist ken.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 41

“Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/humpday-2009 of Humpday (22 July 2009)
Reviews, Three-and-a-half star reviews

“(Television) Men are naturally more aggressive than women. (Sylvia) All the more reason to keep them locked up after dark.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 24

“A danger in emphasizing mean values for each sex is that these values may be projected onto all or most normally developing men and women. The mean may be treated as a description of the typical group member, despite the fact that the majority of individuals fall above or below it. Psychologists do make some effort to stress that means cannot be attributed to all members of any group, as evidenced by the fact that we often append the phrase “on average” to our descriptions of mean differences. But is this enough? Consider again the robust sex difference in willingness to engage in casual sex: The mean SO [sociosexuality] score for men is higher than that for women. What does this tell us, though, about individual men and women? It clearly does not tell us that all men are interested in casual sex and that all women are not. However, given the degree of overlap between the male and female distributions, it also does not tell us that a large majority of men are more interested in casual sex than a large majority of women. That is, it is not accurate to say even that “men are typically more interested in casual sex than women, but there are of course exceptions.””

Steve Stewart-Williams (1971)

Here is what the data that the means are drawn from actually tell us:
Men and women can be found at virtually every level of interest in casual sex. At the right-hand tail of the distribution, only a small number of people are strongly interested in casual sex; however, of these people, more are men than women. At the left-hand tail, only a small number of people are strongly <I>dis</I>interested in casual sex; however, of these people, more are women than men. Most people — men <I>and</I> women — fall somewhere in between. If you were to choose one man and one woman at random, it would be somewhat more likely that the man would have higher SO. However, you wouldn't want to bet your life savings on it. Around a third of the time — i.e., closer to 50% than to 0% — the woman would have higher SO.
The Ape that Kicked the Hornet's Nest (2013)

“On the fourth level, he embodies the mind and becomes a mediator of creative and religious inner experiences, through which life acquires an individual meaning. At this stage he confers on a woman a spiritual and intellectual solidity that counterbalances her essentially soft nature. He can then act as a liaison connecting her with the spiritual life of the time. When this occurs, women are often more open to new, creative ideas than men. That is why in the past women were often used as mediums able to make knowledge of the future available to the world of the spirit. The creative courage in the truth conferred by the animus gives a woman the daring to enunciate new ideas that can inspire men to new enterprises. Often in history women have recognized the value of new creative ideas earlier than men, who are more emotionally conservative. The nature of woman is more closely related to the irrational, and this makes a woman better able to open to new inspirations from the unconscious. The very fact that women normally participate less in public life than men do makes it possible for their animus to act as a "hidden prince" in the darkness of private life and bring about beneficial results.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 322 - 323

“He produced a work of art which by its deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend did more than any single work to bring about the romantic movement in European, and especially in German, literature.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

The Encyclopædia Britannica, 11th edn. (Cambridge: Cambridge University Press, 1910-11) vol. 17, p. 268.
Criticism

“Women apparently achieve happiness more easily with energetic and virile men, men achieve it more easily with women who are affectionate and willing to be led. Very young women declare that they want to marry men whom they can dominate, but I have never discovered a woman who was truly happy with a man she did not admire for his strength and courage, nor a normal man who was perfectly happy with an Amazon. The fact is that the element of chance in these matters rarely allows a man or a woman to choose a life companion by an act of pure volition, and it is better so; instinct, despite its mistakes, is surer here than intelligence. The question Do I have to fall in love? should not be asked; one must feel the answer to it within oneself. The birth of love, like all other births, is the work of nature.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“If you conclude, as I do, that the only hope of a permanent peace and happiness for humanity on this planet is an increased expression of love, and that women are the primary carriers of this great force, one of the problems we face is to provide women with more opportunity for using their love powers. The last six thousand years have demonstrated quite conclusively, I believe, that woman under the domination of man can increase but meagerly the world's total love supply. Our obvious goal, than must be to devise social mechanisms whereby man is brought under the love domination of woman.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Women: Servants for Civilization (1941), p. 44, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joseph J. Darowski, p. 9; in the essay "William Marston's Feminist Agenda", by Michelle R. Finn.

“Men learn to love the woman they are attracted to. Women learn to become attracted to the man they fall in love with.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

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