“Now let's get talking: reefer madness. Like some arrogant government can't,
By any stretch of the imagination, outlaw a plant.”

As quoted in "A revealing sit-down with Courteney Cox" in USA Today (10 September 2003) http://www.usatoday.com/life/television/2003-10-08-cox_x.htm

Source: Postcards from Ed: Dispatches and Salvos from an American Iconoclast

Source: Alice in Wonderland

A Theory of Roughness (2004)
Context: My book, The Fractal Geometry of Nature, reproduced Hokusai's print of the Great Wave, the famous picture with Mt. Fuji in the background, and also mentioned other unrecognized examples of fractality in art and engineering. Initially, I viewed them as amusing but not essential. But I changed my mind as innumerable readers made me aware of something strange. They made me look around and recognize fractals in the works of artists since time immemorial. I now collect such works. An extraordinary amount of arrogance is present in any claim of having been the first in "inventing" something. It's an arrogance that some enjoy, and others do not. Now I reach beyond arrogance when I proclaim that fractals had been pictured forever but their true role remained unrecognized and waited for me to be uncovered.

The Well-Tempered Critic, p. 140
"Quotes"
Context: The fundamental act of criticism is a disinterested response to a work of literature in which all one's beliefs, engagements, commitments, prejudices, stampedings of pity and terror, are ordered to be quiet. We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work.

Source: The Goose Girl

meat
Mahayana, Laṅkāvatāra Sūtra, Chapter Eight. On Meat-eating

Source: The Temple of My Familiar