“Even the most, 'emotive' view of music has to 'be' emotive 'about something distinct', which necessarily involves having a 'theory' about it, for better or worse, in awareness or unawareness, and that a 'musical' something distinct can be cognitively understood as an "emotional experience" only insofar as it is first cognitively understood as a human-communicative manifestation, as an "instance of thought.”

— Benjamin Boretz

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.

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Benjamin Boretz 4

American composer 1934

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“Even discourse which does not acknowledge "musical coherence" as "intellectual communication" does not in fact succeed in treating it as anything else; it is only by locating their concerns in domains where the "musical" aspects of music are peripherally or not at all involved that musical discourses can circumvent the fact that when the "object of thought" consists of the contents of a musical composition just the recognition of the identities of any of these contents (or even of the undivided single identity of them taken all together as a "unit") involves (to varying degrees) the same considerations that are involved in a discourse that explicitly--and hence with a better chance of cognitive particularity--regards such a composition as an instance of communicative thought.”

Benjamin Boretz (1934) American composer

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.

“Emotional Intelligence' refers to the capacity for recognizing our own feelings and those of others, for motivating ourselves, and for managing emotions well in ourselves and in our relationships. It describes abilities distinct from, but complementary to, academic intelligence, the purely cognitive capacities measured by IQ.”

Daniel Goleman (1946) American psychologist & journalist

Source: Working with Emotional Intelligence (1998), p. 317

“Passion is something which very few of us have really felt. What we may have felt is enthusiasm, which is being caught up in an emotional state over something. Our passion is for something: for music, for painting, for literature, for a country, for a woman or a man; it is always the effect of a cause. When you fall in love with someone, you are in a great state of emotion, which is the effect of that particular cause; and what I am talking about is passion without a cause. It is to be passionate about everything, not just about something, whereas most of us are passionate about a particular person or thing. I think one must see this distinction very clearly. In the state of passion without a cause, there is intensity free of all attachment; but when passion has a cause, there is attachment, and attachment is the beginning of sorrow.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIII, p. 251
Posthumous publications, The Collected Works

“Hope is not an emotion; it's a way of thinking or a cognitive process.”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

“I have been careful not to use either of the terms, 'emotional' or 'affective'. I have been equally careful not to invoke the notion of 'cognition'. The classic distinction which separates these two constructs has, in the manner of most classic distinctions that once were useful, become a barrier to sensitive psychological inquiry. When one so divides the experience of man, it becomes difficult to make the most of the holistic aspirations that may infuse the science of psychology with new life, and may replace the classicism now implicit even in the most 'behaviouristic' research.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

George A. Kelly, "Humanistic methodology in psychological research," In: B Maher (ed), Clinical Psychology and Personality: the Selected Papers of George Kelly, Wiley. 1969. p. 140.

“Laughter is man's most distinctive emotional expression.”

Margaret Mead (1901–1978) American anthropologist

Man shares the capacity for love and hate, anger and fear, loyalty and grief, with other living creatures. But humour, which has an intellectual as well as an emotional element belongs to man.
Source: 1970s, Margaret Mead: Some Personal Views (1979), p. 121

“I feel that music is the art which can best express the emotions which flow within us. It conveys something bigger than it is.”

Andrew Sega (1975) musician from America

NAID '95 http://www.club.cc.cmu.edu/pub/scene.org/parties/1995/naid95/misc/dn-naid_089.txt

“I think rock music is more personal for me. I have more freedom. I can show more of my personal emotions in rock and roll music. With classical music, I can only play something that is written already.”

Cui Jian (1961) Chinese rock musician of Korean descent

"Cui Jian: Father of Chinese Rock 'N' Roll in UCLA Global (3 June 2005) https://international.ucla.edu/institute/article/11612

“Ruburt tuned in to the world view of a man known dead. He was not directly in communication with William James. He was aware, however, of the universe through William James' world view. As you might tune into a program on a television set, Ruburt tuned into the view of reality now held in the mind of William James. Because that view necessarily involved emotions, Ruburt felt some sense of emotional contact -- but only with the validity of the emotions. Each person has such a world view, whether living or dead in your terms, and that "living picture" exists despite time or space. It can be perceived by others.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 82-83

“Unlike other aspects of cognitive function, emotions have never been readily confinable to one hemisphere.”

Roger Wolcott Sperry (1913–1994) American neuroscientist

Nobel lecture (1981)
Context: Unlike other aspects of cognitive function, emotions have never been readily confinable to one hemisphere. Though generated by lateralized input, the emotional effects tend to spread rapidly to involve both hemispheres, apparently through crossed fiber systems in the undivided brain stem.

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