“My first informed impression, and what I would like to achieve, I can perhaps only realize when I am impelled as in a vision. One of my figures, perhaps one from the Temptation, sang his strange song to me one night –.. We are playing hide-and-seek, we are playing hide-and-seek across a thousand seas, we gods.... when the skies are red in the middle of the night, when the skies are red at night. You cannot see us, you cannot see us but you are ourselves.... that is what makes us laugh so gaily... Stars are our eyes and nebulae our beards.... we have people's souls for our hearts. We hide ourselves and you cannot see us, which is just what we want.”
Source: 1930s, On my Painting (1938), p. 19
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Max Beckmann 52
German painter, draftsman, printmaker, sculptor and writer 1884–1950Related quotes

1840s, Essays: First Series (1841), Self-Reliance
Context: I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and, if we follow the truth, it will bring us out safe at last.

Un beau jour, ou peut-etre une nuit,
Près d'un lac, je m'étais endormie,
Quand soudain, semblant crever le ciel,
Et venant de nulle part,
Surgit un aigle noir.
L'Aigle noir.
Song lyrics

Il ne faut pas s’offenser que les autres nous cachent la vérité puisque nous nous la cachons si souvent à nous-mêmes.
Maxim 11 from the Manuscrit de Liancourt.
Later Additions to the Maxims

The essence of everything., Dortmund Germany October 1, 1978, published by the DLM in The Golden Age No 51, February 1979
1970s

Essay as "Mr. X" (1969)
Context: I can remember the night that I suddenly realized what it was like to be crazy, or nights when my feelings and perceptions were of a religious nature. I had a very accurate sense that these feelings and perceptions, written down casually, would not stand the usual critical scrutiny that is my stock in trade as a scientist. If I find in the morning a message from myself the night before informing me that there is a world around us which we barely sense, or that we can become one with the universe, or even that certain politicians are desperately frightened men, I may tend to disbelieve; but when I'm high I know about this disbelief. And so I have a tape in which I exhort myself to take such remarks seriously. I say "Listen closely, you sonofabitch of the morning! This stuff is real!" I try to show that my mind is working clearly; I recall the name of a high school acquaintance I have not thought of in thirty years; I describe the color, typography, and format of a book in another room and these memories do pass critical scrutiny in the morning. I am convinced that there are genuine and valid levels of perception available with cannabis (and probably with other drugs) which are, through the defects of our society and our educational system, unavailable to us without such drugs. Such a remark applies not only to self-awareness and to intellectual pursuits, but also to perceptions of real people, a vastly enhanced sensitivity to facial expression, intonations, and choice of words which sometimes yields a rapport so close it's as if two people are reading each other's minds.

"Lie to Me"
Lyrics, Once Upon Another Time (2012)

"I'm Goin' Down"
Song lyrics, Born in the U.S.A. (1984)