“So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song… so many variables that it's almost impossible to predict how a song will affect a given person.”

— Andrew Sega

Andrew Sega Shrine interview, 2011

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Andrew Sega 52

musician from America 1975

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“It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.”

Angus Young (1955) Scottish Australian guitarist

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“I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.”

David Levithan (1972) American author and editor

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“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

“Jazz music is a lifestyle. It’s not notes, chords and arpeggios. Today’s improvisation is too based on the knowledge of chords and the way they practice the chords. It’s not a melodic thing anymore like the older days. It was much more important to play shorter and to play more variable, valid stuff. Today, a lot of solos are long and uninteresting and the influence usually comes from John Coltrane’s group. He himself was a master musician, but he put so much emphasis on chord knowledge and technique, and now the kids want to show how fast they can play. This is the same with piano players and most instrumentalists—it’s speed. That’s gonna change again and hopefully the kids who are now 16 and 17 years old have a little more sense and maybe some more stories to tell.”

Joe Zawinul (1932–2007) austrian composer and pianist

Reflecting on the new generation's take on jazz music
Prasad interview (1997)

“I'm constantly thinking melodies. Now, to add interest to those melodies, obviously you have to know what things can be superimposed over a chord, and I will think of extended arpeggios and the upper estensions. If I'm playing very vertically, I will invariably start to include certaing passing notes which imply certain scales -- like a melodic minor scale against a C minor chord, or diminished scales, something like that. But I'm not thinking of a scale at that specific moment. I'm thinking of the notes as surrounding that chord -- because I know how each of the twelve notes in music sound against a C minor seventh, for instance.”

Lee Ritenour (1952) American jazz guitarist, session musician, and composer

[Denyer, Ralph, The Guitar Handbook, 2002, 114, 0-679-74275-1]

“It doesn't really matter what chords I play, what words I say or time of day it is, as it's only a Northern Song.”

George Harrison (1943–2001) British musician, former member of the Beatles

“Three chords and the truth — that’s what a country song is.”

Willie Nelson (1933) American country music singer-songwriter.

Nelson clarified in his autobiography, It's A Long Story: My Life that it was an original phrase from songwriter Harlan Howard. An example of Nelson quoting the phrase: [A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth — that’s what a country song is. There is a lot of heartache in the world., http://theboot.com/willie-nelson-parade-interview/?trackback=tsmclip, Willie Nelson Opens Up About Music, Marriages and Marijuana, Horne, Marianne, June 28, 2010, The Boot, Taste of Country, January 21, 2014]
Attributed

“If you're listening to this song
You may think the chords are going wrong
But they're not
We just wrote it like that”

George Harrison (1943–2001) British musician, former member of the Beatles

Only a Northern Song (1967)
Lyrics

“As when in harp and song adept, a bard
Unlab'ring strains the chord to a new lyre.”

Homér The Odyssey (Cowper)

XXI. 406–407 (tr. William Cowper).
Odyssey (c. 725 BC)

“The two hundred or so songs that Saigal sang, touched a popular chord despite their, or perhaps because of their, profundity.”

K. L. Saigal (1904–1947) Indian actor

Saigal, the unforgettable

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Andrew Sega 52

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