
“It's the soul's duty to be loyal to its own desires. It must abandon itself to its master passion.”
"Why Distant Objects Please"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)
“It's the soul's duty to be loyal to its own desires. It must abandon itself to its master passion.”
1916
Quote in 'On space and Suprematism', Kasimir Malevich, 1916; as cited in Abstract Art, Anna Moszynska, Thames and Hudson, London 1990, p. 58
1910 - 1920
"The Spirit of the Age, I", Examiner (9 January 1831), p. 20 Full text online http://oll.libertyfund.org/title/256/50650
Meditation One: The One and the Multiple: a priori conditions of any possible ontology
Being and Event (1988)
“Passion is like suffering, and like suffering it creates its object.”
The Tragic Sense of Life (1913), XI : The Practical Problem
Context: Passion is like suffering, and like suffering it creates its object. It is easier for the fire to find something to burn than for something combustible to find the fire.
2000s, Where the Right Went Wrong (2004)
“A general semiotics transforms, for the very fact of its theoretical claim, its own object.”
[O] : Introduction, 0.8
Semiotics and the Philosophy of Language (1984)
Context: A general semiotics studies the whole of the human signifying activity — languages — and languages are what constitutes human beings as such, that is, as semiotic animals. It studies and describes languages through languages. By studying the human signifying activity it influences its course. A general semiotics transforms, for the very fact of its theoretical claim, its own object.
Collected Plays (1958) Introduction, Section 7
Context: By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.