“An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him. Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.”

— Oscar Wilde , book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

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Oscar Wilde 812

Irish writer and poet 1854–1900

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“A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. It has nothing to do with the fact that other people want what they want. Indeed, the moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist, and becomes a dull or an amusing craftsman, an honest or a dishonest tradesman. He has no further claim to be considered as an artist.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

“Art is not for the personal satisfaction of one or the other, but art wants to return all what’s in life… Art wants to give back everything what’s in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.”

Bram van Velde (1895–1981) Dutch painter

Letter to H. E. Kramer, 25-10-1926, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 44 (English translation: Charlotte Burgmans)
1920's

“Whenever the therapist stands with society, he will interpret his work as adjusting the individual and coaxing his 'unconscious drives' into social respectability. But such 'official psychotherapy' lacks integrity and becomes the obedient tool of armies, bureaucracies, churches, corporations, and all agencies that require individual brainwashing. On the other hand, the therapist who is really interested in helping the individual is forced into social criticism. This does not mean that he has to engage directly in political revolution; it means that he has to help the individual in liberating himself from various forms of social conditioning, which includes liberation from hating this conditioning — hatred being a form of bondage to its object.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: Psychotherapy, East and West (1961), p. 8

“Let us not torment each other because we are not all alike, but believe that God knew best what He was doing in making us so different. So will the best harmony come out of seeming discords, the best affection out of differences, the best life out of struggle, and the best work will be done when each does his own work, and lets every one else do and be what God made him for.”

James Freeman Clarke (1810–1888) American theologian and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 106.

“An artistic impression is substantially the resultant of two components. One what the work of art gives the onlooker — the other, what he is capable of giving to the work of art.”

Arnold Schoenberg (1874–1951) Austrian-American composer

"An Artistic Impression" (1909) in Style and Idea (1985), p. 189
1900s

“Whenever the powers of government are placed in any hands other than those of the community, whether those of one man, of a few, or of several, those principles of human nature which imply that government is at all necessary, imply that those persons will make use of them to defeat the very end for which government exists.”

James Mill (1773–1836) Scottish historian, economist, political theorist and philosopher

Government (1820)
Context: Whenever the powers of government are placed in any hands other than those of the community, whether those of one man, of a few, or of several, those principles of human nature which imply that government is at all necessary, imply that those persons will make use of them to defeat the very end for which government exists.<!-- (1824 edition) vol. 4, p. 493

“Basically, at this time, I viewed any work of art as an imposition of another persons taste and saw the individual making this imposition as a kind of dictator.”

Henry Flynt (1940) American musician

Henry Flynt talks to Stewart Home, New York 8 March 1989

“It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community... The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i. e., to raise the instinctive to a conscious level.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

“My work is independent of my will. My best works are created when driven by an inner strength. This has nothing to do with my will. It is that immediate spontaneity of my intense way of living that makes the difference between my work and a lot of other artists who make art works with their mind.”

Bram van Velde (1895–1981) Dutch painter

Letter to H. E. Kramer, 14-11-1927, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 46 (English translation: Charlotte Burgmans)
1920's

“If the genius is an artist, then he accomplishes his work as art, but neither he nor his work of art has a telos outside him.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, Two Ethical-Religious Minor Essays (1849), P. 108

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