“When we approach the study of business cycle with the intention of carrying through an analysis that is truly dynamic and determinate in the above sense, we are naturally led to distinguish between two types of analyses: the micro-dynamic and the macro-dynamic types. The micro-dynamic analysis is an analysis by which we try to explain in some detail the behaviour of a certain section of the huge economic mechanism, taking for granted that certain general parameters are given. Obviously it may well be that we obtain more or less cyclical fluctuations in such sub-systems, even though the general parameters are given. The essence of this type of analysis is to show the details of the evolution of a given specific market, the behaviour of a given type of consumers, and so on.”
Source: 1930s, Propagation problems and impulse problems in dynamic economics, 1933, p. 2
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Ragnar Frisch 26
Norwegian economist 1895–1973Related quotes

Source: Structure of American economy, 1919-1929, 1941, p. 33, as cited in: Drejer, Ina. " The Role of Technological Linkages in a Leontief Scheme-From Static Structures to Endogenous Evolution of Technical Coefficients http://www.druid.dk/uploads/tx_picturedb/dw1999-340.pdf." Preparado para: DRUID Winter Conference, Holte (enero 1999). 1998.

Source: Contributions to Modern Economics (1978), Chapter 11, The Meaning of Capital, p. 125

Source: Modularity of Mind (1983), p. 126, partly cited in: Meredith Williams (2002) Wittgenstein, Mind, and Meaning: Toward a Social Conception of Mind. p. 104. Quote about the direction of information flow in perceptual and observer analysis.
Source: Global Shift (2003) (Fourth Edition), Chapter 7, Transnational Corporations, p. 202

Dissertation for doctor of philosophy in christian education (May 25, 1991)

“.. the gesture that we want.... will be the dynamic sensation itself.”
In a letter to Marinetti, May 1911; as cited by Anne Coffin Hanson, 'Severini Futurista: 1912-1917', exhibition catalog, Connecticut: Yale University Art Gallery, 1995, p. 134
Severini expressed his unwavering dedication to Futurism, approving of its program by citing a fundamental passage of the Futurist manifesto
(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914