Modern Painter's World, ed. Robert Motherwell , Dyn, Nov. 1942, p. 9
1940s
“Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist’s feeling for form is stronger than a formless feeling.”
Source: Collected Poems (1966), p. 18
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Herbert Read 42
English anarchist, poet, and critic of literature and art 1893–1968Related quotes
The Influence of Meter on Poetic Convention, Section V : The Heroic Couplet and its Recent Rivals
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Context: One of my oldest crusades is against the distinction between thought and feeling... which is really the basis of all anti-intellectual views: the heart and the head, thinking and feeling, fantasy and judgment. We have more or less the same bodies, but very different kinds of thoughts. I believe that we think much more with the instruments provided by our culture than we do with our bodies, and hence the much greater diversity of thought in the world. Thinking is a form of feeling; feeling is a form of thinking.

Creative spirit becomes concrete.
Quote on 'Concrete art', in: 'Comments on the basic of concrete painting', Paris, January 1930; 'Art Concret', April 1930, pp. 2–4
1926 – 1931

Everything Has to Do with Hardness and Softness (1969)

“With shouts the torrents down the gorges go,
And storms are formed behind the storm we feel”
Misgivings, st. 2
Battle Pieces: And Aspects of the War (1860)
Context: With shouts the torrents down the gorges go,
And storms are formed behind the storm we feel:
The hemlock shakes in the rafter, the oak in the driving keel.