Charles Evans Hughes (1862–1948) American judge
Near v. Minnesota, 283 U.S. 697 (1931).
Judicial opinions
[cvneu0$29s$1@reader2.panix.com, 2005]
2000s
Charles Evans Hughes (1862–1948) American judge
Near v. Minnesota, 283 U.S. 697 (1931).
Judicial opinions
“When you publish a book, it’s the world’s book. The world edits it.”
Philip Roth (1933–2018) American novelist
"A Visit with Philip Roth," interview with James Atlas, The New York Times Book Review (2 September 1979), p. BR1
Will Eisner (1917–2005) American cartoonist
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Harsh Narain (1921–1995) Indian writer
The Ayodhya temple-mosque dispute: Focus on Muslim sources (1993)
Bill Moyers (1934) American journalist
"The Big Story", speech to the Texas State Historical Association (7 March 1997), as quoted in Moyers on Democracy (2008), p. 131
Bangalore Nagarathnamma (1878–1952) Indian singer
Firstpost Article - An early 20th century tale of censorship - 22 Mar 2020 https://www.firstpost.com/living/an-early-20th-century-tale-of-censorship-how-bangalore-nagarathnamma-fought-social-norms-to-revive-the-legacy-of-muddupalani-8132331.html Archive https://web.archive.org/web/20200415202057/https://www.firstpost.com/living/an-early-20th-century-tale-of-censorship-how-bangalore-nagarathnamma-fought-social-norms-to-revive-the-legacy-of-muddupalani-8132331.html <br class="br">About Radhika Santawanam (Appeasing Radhika)
Machado de Assis (1839–1908) Brazilian writer
Homem é…uma errata pensante, isso sim. Cada estação da vida é uma edição, que corrige a anterior, e que será corrigida também, até a edição definitiva, que o editor da de graça aos vermes.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 27, p. 57.
James Nicoll (1961) Canadian fiction reviewer
review of Don't Fear the Reaper, by Zen Cho http://jamesdavisnicoll.com/review/dont-fear-the-reaper, 2016 <br class="br">2010s
Roger Zelazny (1937–1995) American speculative fiction writer
Phlogiston interview (1995)
Context: Well, I decided that as a teenager that I really didn't know enough to describe character well and I was wasting my time. I'd learned as much as I could about story telling techniques and it wasn't a matter of technique any more. It was a matter of substance. As a result I said I was going to wait until I was a lot older and had more experience. So it was that after I got out of college I'd been away from SF for about four years. I'd read SF steadily from when I was eleven until I started college. When I started college I said, "I'm not going to read that while I'm here, I'm going to learn poetry and other things of that sort" in fact I wrote a lot of poetry then.