
Source: No More Bull! (2005), Ch. 5: Message for My Meat-Eating Friends, p. 61
“November: A Mighty Fortress”, p. 77.
A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"
Source: No More Bull! (2005), Ch. 5: Message for My Meat-Eating Friends, p. 61
Hurry Home, Candy (1953)
“Too fucking busy, and vice versa.”
Response to an editor pressuring her for overdue work, as quoted in The Unimportance of Being Oscar (1968) by Oscar Levant, p. 89
The Dead Robin
Traits and Trials of Early Life (1836)
“Pitching always beats batting — and vice-versa.”
“Those things are inextricable bound up in my mind, with words I make an image and vice versa.”
As quoted in Boekgrrls (8 March 2004) http://www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_schilderijen.htm
Source: The Mentality of Apes, 1925, p. 94; As cited in: Arthur Koestler, The Act of Creation, 1964, p. 103
Source: The Monkey Grammarian (1974), Ch. 8
Context: The Great Monkey closes his eyes, scratches himself again and muses: before the sun has become completely hidden — it is now fleeing amid the tall bamboo trees like an animal pursued by shadows — I shall succeed in reducing this grove of trees to a catalogue. A page of tangled plant calligraphy. A thicket of signs: how to read it, how to clear a path through this denseness? Hanumān smiles with pleasure at the analogy that has just occurred to him: calligraphy and vegetation, a grove of trees and writing, reading and a path. Following a path: reading a stretch of ground, deciphering a fragment of world. Reading considered as a path toward…. The path as a reading: an interpretation of the natural world? He closes his eyes once more and sees himself, in another age, writing (on a piece of paper or on a rock, with a pen or with a chisel?) the act in the Mahanātaka describing his visit to the grove of the palace of Rāvana. He compares its rhetoric to a page of indecipherable calligraphy and thinks: the difference between human writing and divine consists in the fact that the number of signs of the former is limited, whereas that of the latter is infinite; hence the universe is a meaningless text, one which even the gods find illegible. The critique of the universe (and that of the gods) is called grammar…. Disturbed by this strange thought, Hanumān leaps down from the wall, remains for a moment in a squatting position, then stands erect, scrutinizes the four points of the compass, and resolutely makes his way into the thicket.