“My foot is on my native heath, and my name is MacGregor.”

Source: Burn for Me

Source: Natural Theology (1802), Ch. 1 : State of the Argument.
Context: In crossing a heath, suppose I pitched my foot against a stone and were asked how the stone came to be there, I might possibly answer that for anything I knew to the contrary it had lain there forever; nor would it, perhaps, be very easy to show the absurdity of this answer. But suppose I found a watch upon the ground, and it should be inquired how the watch happened to be in that place, I should hardly think of the answer which I had given, that for anything I knew the watch might have always been there. Yet why should not this answer serve for the watch as well as for the stone; why is it not admissible in that second case as in the first? For this reason, and for no other, namely, that when we come to inspect the watch, we perceive — what we could not discover in the stone — that its several parts are framed and put together for a purpose, e. g., that they are so formed and adjusted as to produce motion, and that motion so regulated as to point out the hour of the day; that if the different parts had been differently shaped from what they are, or placed in any other manner or in any other order than that in which they are placed, either no motion at all would have carried on in the machine, or none which would have answered the use that is now served by it.
This mechanism being observed … the inference we think is inevitable, that the watch must have had a maker — that there must have existed, at some time and at some place or other, an artificer or artificers who formed it for the purpose which we find it actually to answer, who comprehended its construction and designed its use.
Nor would it, I apprehend, weaken the conclusion, that we had never seen a watch made; that we had never known an artist capable of making one; that we were altogether incapable of executing such a piece of workmanship ourselves, or of understanding in what manner it was performed; all this being no more than what is true of some exquisite remains of ancient art, of some lost arts, and, to the generality of mankind, of the more curious productions of modern manufacture.

Letter to General Winfield Scott (20 April 1861) after turning down an offer by Abraham Lincoln of supreme command of the U.S. Army; as quoted in Personal Reminiscences, Anecdotes, and Letters of Gen. Robert E. Lee (1875) by John William Jones, p. 139
1860s
Context: Since my interview with you on the 18th I have felt that I ought not longer retain my commission in the Army … It would have been presented at once, but for the struggle, it has cost me to separate myself from a service to which I have devoted all the best years of my life, and all the ability I possessed … I shall carry with me to the grave the most grateful recollections of your kind consideration and your name and fame will always be dear to me. Save for defense of my native state, I never desire again to draw my sword.

Thanos, in The Thanos Quest (1990), Book 1

Canto I, stanza 18.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Source: One Fish, Two Fish, Red Fish, Blue Fish

As quoted in Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems (2001) by Bernard Lewis, p. 119
Context: I shall grasp the soul's skirt with my hand
and stamp on the world's head with my foot.
I shall trample Matter and Space with my horse,
beyond all Being I shall utter a great shout,
and in that moment when I shall be alone with Him,
I shall whisper secrets to all mankind.
Since I have neither sign nor name
I shall speak only of things unnamed and without sign.

"Hawk Roosting", line 10
Lupercal (1960)

Mi nombre, más que llamarme, me recuerda mi nombre.
Voces (1943)