“In the end, theistic evolution is not a useful compromise between science and religion. Insofar as it makes testable predictions, it has been falsified, and insofar as it makes claims that can’t be tested, it can be ignored.”

— Jerry Coyne , book Faith vs. Fact: Why Science and Religion are Incompatible

Source: Faith vs. Fact (2015), p. 147

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "In the end, theistic evolution is not a useful compromise between science and religion. Insofar as it makes testable pr…" by Jerry Coyne?

Jerry Coyne 154

American biologist 1949

Related quotes

“The landscape problem represents a serious problem in the development of science. Its solution requires… the construction of speculative cosmological scenarios, which posit regions or epochs of our universe for which we presently have no observable evidence. Nonetheless we must insist on taking seriously only scenarios and hypotheses that make falsifiable or strongly verifiable predictions, otherwise people can just make stuff up and the distinction between science and mythology becomes porous. …there are already candidate solutions that make real, falsifiable predictions.”

Lee Smolin (1955) American cosmologist

"A perspective on the landscape problem" arXiv (Feb 15, 2012)

“Religion claims to help us understand things about the universe, but, unlike science has no way to test or verify its claims. Both science and religion compete to understand reality, but only science has the method to verify its findings, while religion merely buttresses emotional and epistemic commitments made in advance, commitments impervious to evidence.”

Jerry Coyne (1949) American biologist

" Jeffrey Tayler continues making Salon friendlier to anti-theism https://whyevolutionistrue.wordpress.com/2015/04/13/jeffrey-tayler-continues-making-salon-friendlier-to-anti-theism/" April 13, 2015

“Art and science coincide insofar as both aim to improve the lives of men and women.”

Bertolt Brecht A Short Organum for the Theatre

A Short Organum for the Theatre (1949)
Context: Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.

“The Stranger is close to us, insofar as we feel between him and ourselves common features of a national, social, occupational, or generally human, nature. He is far from us, insofar as these common features extend beyond him or us, and connect us only because they connect a great many people.”

Georg Simmel book The Stranger

Der Fremde ist uns nah, insofern wir Gleichheiten nationaler oder sozialer, berufsmäßiger oder allgemein menschlicher Art zwischen ihm und uns fühlen; er ist uns fern, insofern diese Gleichheiten über ihn und uns hinausreichen und uns beide nur verbinden, weil sie überhaupt sehr Viele verbinden.
Source: The Stranger (1908), p. 405

“Evolution’s logical, unlike religion. Even the Church will agree with that. You have to take religion on faith and you can’t test it by common sense.”

Lester del Rey (1915–1993) Novelist, short story writer, editor

Source: The Eleventh Commandment (1962), Chapter 8 (p. 72)

“Maybe all poetry, insofar as it moves us and connects with us, is a revealing of something that the writer doesn’t actually want to say but desperately needs to communicate, to be delivered of. Perhaps it’s the need to keep it hidden that makes it poetic—makes it poetry.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview
Context: Goethe called his work one big confession, didn’t he? Looking at his work in the broadest sense, you could say the same of Shakespeare: a total self-examination and self-accusation, a total confession—very naked, I think, when you look into it. Maybe it’s the same with any writing that has real poetic life. Maybe all poetry, insofar as it moves us and connects with us, is a revealing of something that the writer doesn’t actually want to say but desperately needs to communicate, to be delivered of. Perhaps it’s the need to keep it hidden that makes it poetic—makes it poetry. The writer daren’t actually put it into words, so it leaks out obliquely, smuggled through analogies. We think we’re writing something to amuse, but we’re actually saying something we desperately need to share.