1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
“And art puts us, I believe, in a state of grace in which we experience a universal emotion in an, as it were, religious but in the same time perfectly natural way. General harmony, such as we find in colour, is located all around us.”
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 151, in: 'What he told me – I. The motif'
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Paul Cézanne 62
French painter 1839–1906Related quotes
Arthur's commentary
The Nemesis of Faith (1849)
Context: All, all nature is harmonious, and must and shall be harmony for ever; even we, poor men, with our wild ways and frantic wrongs, and crimes, and follies, to the beings out beyond us and above us, seem, doubtless, moving on our own way under the broad dominion of universal law. The wretched only feel their wretchedness: in the universe all is beautiful. Ay, to those lofty beings, be they who they will, who look down from their starry thrones on the strange figures flitting to and fro over this earth of ours, the wild recklessness of us mortals with each other may well lose its painful interest. Why should our misdoings cause more grief to them than those of the lower animals to ourselves? Pain and pleasure are but forms of consciousness; we feel them for ourselves, and for those who are like ourselves. To man alone the doings of man are wrong; the evil which is with us dies out beyond us; we are but a part of nature, and blend with the rest in her persevering beauty.
Poor consolers are such thoughts, for they are but thoughts, and, alas! our pain we feel.
The Varieties of Scientific Experience: A Personal View of the Search for God (2006)
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Cosmos: A Personal Voyage (1990 Update), The Harmony of the Worlds [Episode 3]
Context: As a boy Kepler had been captured by a vision of cosmic splendour, a harmony of the worlds which he sought so tirelessly all his life. Harmony in this world eluded him. His three laws of planetary motion represent, we now know, a real harmony of the worlds, but to Kepler they were only incidental to his quest for a cosmic system based on the Perfect Solids, a system which, it turns out, existed only in his mind. Yet from his work, we have found that scientific laws pervade all of nature, that the same rules apply on Earth as in the skies, that we can find a resonance, a harmony, between the way we think and the way the world works.
When he found that his long cherished beliefs did not agree with the most precise observations, he accepted the uncomfortable facts, he preferred the hard truth to his dearest illusions. That is the heart of science.
Informal remarks, University of Pennsylvania Law School. http://www.generotberg.com/speeches/2000s/Selected-from-Remarks-Penn-Law-092206.html, 2006
Source: Love and Will (1969), p. 100
Context: When we "fall" in love, as the expressive verb puts it, the world shakes and changes around us, not only in the way it looks but in our whole experience of what we are doing in the world. Generally, the shaking is consciously felt in its positive aspects … Love is the answer, we sing. … our Western culture seems to be engaged in a romantic — albeit desperate — conspiracy to enforce the illusion that that is all there is to eros.
In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000