“My name may not be on the ballot, but our progress is on the ballot. Tolerance is on the ballot. Democracy is on the ballot. Justice is on the ballot. Good schools are on the ballot. Ending mass incarceration – that's on the ballot right now! And there is one candidate who will advance those things. And there's another candidate whose defining principle, the central theme of his candidacy is opposition to all that we've done. There's no such thing as a vote that doesn't matter. It all matters. And after we have achieved historic turnout in 2008 and 2012, especially in the African-American community, I will consider it a personal insult, an insult to my legacy, if this community lets down its guard and fails to activate itself in this election. You want to give me a good sendoff? Go vote.”

The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)

Source: The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)
Context: The political philosophy of black nationalism means that the black man should control the politics and the politicians in his own community; no more. The black man in the black community has to be re-educated into the science of politics so he will know what politics is supposed to bring him in return. Don’t be throwing out any ballots. A ballot is like a bullet. You don’t throw your ballots until you see a target, and if that target is not within your reach, keep your ballot in your pocket.

Machinists' Monthly Journal

Speech http://books.google.ca/books?id=zFclDyk2LTEC&pg=PA57#v=onepage&q&f=false (15 November 1867).
1860s

Woodrow Wilson: "7th Annual Message", December 2, 1919. Online by Gerhard Peters and John T. Woolley, The American Presidency Project. http://www.presidency.ucsb.edu/ws/?pid=29560#axzz2g0trF1OV
1910s
Context: There are those in this country who threaten direct action to force their will, upon a majority. Russia today, with its blood and terror, is a painful object lesson of the power of minorities. It makes little difference what minority it is; whether capital or labor, or any other class; no sort of privilege will ever be permitted to dominate this country. We are a partnership or nothing that is worth while. We are a democracy, where the majority are the masters, or all the hopes and purposes of the men who founded this government have been defeated and forgotten. In America there is but one way by which great reforms can be accomplished and the relief sought by classes obtained, and that is through the orderly processes of representative government. Those who would propose any other method of reform are enemies of this country. America will not be daunted by threats nor lose her composure or calmness in these distressing times. We can afford, in the midst of this day of passion and unrest, to be self - contained and sure. The instrument of all reform in America is the ballot. The road to economic and social reform in America is the straight road of justice to all classes and conditions of men. Men have but to follow this road to realize the full fruition of their objects and purposes. Let those beware who would take the shorter road of disorder and revolution. The right road is the road of justice and orderly process.

The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)
Context: Lyndon B. Johnson is the head of the Democratic Party. If he’s for civil rights, let him go into the Senate next week and declare himself. Let him go in there right now and declare himself. Let him go in there and denounce the Southern branch of his party. Let him go in there right now and take a moral stand—right now, not later. Tell him don’t wait until election time. If he waits too long, brothers and sisters, he will be responsible for letting a condition develop in this country which will create a climate that will bring seeds up out of the ground with vegetation on the end of them looking like something these people never dreamed of. In 1964, it’s the ballot or the bullet.

Original: (pt) Ou vai no voto ou vai na bala!

1960s, How Long, Not Long (1965)