
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 78.
Letter to Miss Barnes http://digital.library.upenn.edu/women/carlyle/jwclam/lam301.html#LM3-207 (24 August 1859).
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 78.
pg. xix
The Sports and Pastimes of the People of England (1801), Minstrels
Reflections on Various Subjects (1665–1678), VII. On Air and Manner
Context: There is an air which belongs to the figure and talents of each individual; we always lose it when we abandon it to assume another. We should try to find out what air is natural to us and never abandon it, but make it as perfect as we can. This is the reason that the majority of children please. It is because they are wrapt up in the air and manner nature has given them, and are ignorant of any other. They are changed and corrupted when they quit infancy, they think they should imitate what they see, and they are not altogether able to imitate it. In this imitation there is always something of falsity and uncertainty. They have nothing settled in their manner and opinions. Instead of being in reality what they want to appear, they seek to appear what they are not.
“He has no manners—he just has customs.”
From his sketchbook
"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.
“Then [after Castro dies and her triumphal return to Havana], at last, I could sing for my people.”
cubanet.org (May 15, 2000)
2007, 2008
Page 163
Other writings, The Nature of the Judicial Process (1921)
“They are more than men at the outset of their battles; at the end they are less than the women.”
Book X, sec. 28
History of Rome
Broadcast on Baghdad state radio, January 17, 1991.
Comment on the beginning of Desert Storm, quoted in Washington Post (17 January 1991) "Iraqi Leader Remains Defiant Following US-Led Air Attacks" by Nora Boustany