
Williams-Akoto. "My Home: Stella Vine, artist" http://www.independent.co.uk/life-style/house-and-home/property/my-home-stella-vine-artist-517456.html, The Independent, (2005-11-30)
On painting Kate Moss.
Honigman, Ana Finel. "Stella Vine in conversation with Ana Finel Honigman" http://www.saatchi-gallery.co.uk/blogon/2007/07/stella_vine_in_conversation_wi.php, Saatchi Gallery (2007-07-25).
On the subjects she paints.
Williams-Akoto. "My Home: Stella Vine, artist" http://www.independent.co.uk/life-style/house-and-home/property/my-home-stella-vine-artist-517456.html, The Independent, (2005-11-30)
On painting Kate Moss.
Eyre, Hermione. "Stars in her eyes" http://findarticles.com/p/articles/mi_qn4159/is_20070715/ai_n19372031, The Independent on Sunday (2007-07-15), retrieved from findarticles.com
On Kate Moss.
New York Times interview (2010) http://www.nytimes.com/2010/09/15/movies/15woody.html?_r=1&ref=arts#.
pp 79 - 80.
Letter to his daughter (1978)
Context: Life is a love affair. There is a romance with every beauty of nature. I have no hesitation in saving that my most passionate love affair, my most thrilling romance has been with the people. There is an indissoluble marriage between politics and the people. That is why "Man is a political animal" and the state a political theatre. I have been on this stage of the masters for over twenty tumultuous years. I believe I still have a role to play. I believe the people still want me on this stage, but if I have to bow out, I give you the gift of my feelings. You will fight the fight better than me. Your speeches will be more eloquent than my speeches. Your commitment equally total. There will be more youth and vitality in your struggle. Your deeds ill be more daring. I transmit to you the blessing to the most blessed mission. This is the only present I can give you on your birthdays.
Highway of Eternity (1986)
Context: He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile.
He stared at the hat. Who are you? What is this about?
He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf.
The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter.
An interpreter for whom?
For the wolf and you.
But the wolf does not talk.
No, he does not talk. But he thinks. He is greatly pleased and puzzled.
Puzzled I can understand. But pleased?
He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are.
In time to come, said Boone, he will be one with us. He will become a dog.
If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal...
“I think somebody should be able to do all my paintings for me.”
As quoted in Pop Art, an Critical History, Steven Henry Madoff, Madoff, University of California Press, Berkeley 1997, p. 104
undated quotes
Source: Human Rights and Human Liberties: A Radical Reconsideration of the American Political Tradition, (1975), p. 41