
Source: Why Men Are the Way They Are (1988), p. 150.
Freud and Literature
The Liberal Imagination (1950)
Source: Why Men Are the Way They Are (1988), p. 150.
Obituary http://www.latimes.com/news/obituaries/la-me-barry-bremen-20110707,0,2935425.story, LA Times, 2011-07-07
Describing how he caught "Great Imposter" Barry Bremen in a Mets uniform shagging balls in the outfield before the 1986 All-Star Game at the Houston Astrodome.
Interview with Fantasy Book Critic (25 May 2007)
Context: Anyway, I was listening to Beagle answer a question on the panel, he said something along the lines of, "I'd never want to write The Last Unicorn again. It was excruciatingly hard, because I was writing a faerie tale while at the same time writing a spoof of a faerie tale."
I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.
While telling his story, Kvothe makes it clear that he's not the storybook hero legends make him out to be. But at the same time, the reader sees that he's a hero nonetheless. He's just a hero of a different sort.
Source: Why Men Are the Way They Are (1988), p. 105.
Original in German: In der Tat, ich begreife kaum, wie man ein Dichter sein kann, ohne den Spinosa zu verehren, zu lieben und ganz der seinige zu werden. In Erfindung des Einzelnen ist Eure eigne Fantasie reich genug; sie anzuregen, zur Tätigkeit zu reizen und ihr Nahrung zu geben, nichts geschickter als die Dichtungen andrer Künstler. Im Spinosa aber findet Ihr den Anfang und das Ende aller Fantasie, den allgemeinen Grund und Boden, auf dem Euer Einzelnes ruht und eben diese Absonderung des Ursprünglichen, Ewigen der Fantasie von allem Einzelnen und Besondern muß Euch sehr willkommen sein.
Friedrich Schlegel, Rede über die Mythologie, in Friedrich Schlegels Gespräch über die Poesie (1800)
S - Z
Lytton Strachey Portraits in Miniature and Other Essays (London: Chatto & Windus, 1931) p. 24.
Criticism
Sometimes a Fantasy.
Song lyrics, Glass Houses (1980)
“… fantasy is not practice for what is real—fantasy is the opiate of women.”
Source: Austenland