“John Osborne spoke out in a vein of ebullient, free-wheeling rancour that betokened the arrival of something new in the theatre — a sophisticated, articulate lower-class. Most of the critics were offended by Jimmy Porter, but not on account of his anger; a working-class hero is expected to be angry. What nettled them was something quite different: his self-confidence. This was no envious inferior whose insecurity they could pity.”

— Kenneth Tynan

"Decade in Retrospect: 1959" (1959), p. 13
Tynan Right and Left (1967)

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Kenneth Tynan 40

English theatre critic and writer 1927–1980

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“John Osborne spoke out in a vein of ebullient, free-wheeling rancour that betokened the arrival of something new in the theatre – a sophisticated, articulate lower-class. Most of the critics were offended by Jimmy Porter, but not on account of his anger; a working-class hero is expected to be angry. What nettled them was something quite different: his self-confidence. This was no envious inferior whose insecurity they could pity.”

John Osborne (1929–1994) English playwright

Kenneth Tynan, Tynan Right and Left (1967) p. 13
Criticism

“Could it be … that the hero is one who is willing to set out, take the first step, shoulder something? Perhaps the hero is one who puts his foot upon a path not knowing what he may expect from life but in some way feeling in his bones that life expects something of him.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"The World of the Hero" (1976)

“Life-expectancies of lower-class and upper-class [vary] …society determines how long and in what manner the individual organism shall live…”

Peter L. Berger book The Social Construction of Reality

1991, p. 202
The Social Construction of Reality, 1966

“I came out stunned. I was angry at them, then. Angry at them for surprising me, touching me like that. Of course I was angry at their stupidity, their manic barbarity, their unthinking, animal obedience, their appalling cruelty; everything that the memorial evoked… but what really hit me was that these people could create something that spoke so eloquently of their own ghastly actions; that they could fashion a work so humanly redolent of their own inhumanity.”

Iain Banks (1954–2013) Scottish writer

“State of the Art” (p. 94)
Short fiction, The State of the Art (1991)

“It’s all right for the middle classes, the MSPs; it’s great for them to have cheap nannies and gardeners and cleaners. But it’s not very lovely for the ordinary working class man trying to get on in the world who finds his job has gone and his wage being compressed because so many people are coming in. That’s why you’ll find most Ukip support comes from working class and lower middle class people – not that we believe in class in Ukip. Those people are feeling the pressure and have been let down by the traditional parties”

David Coburn (politician) (1959) British politician

In with the Out crowd: on the streets with Ukip's David Coburn http://www.heraldscotland.com/politics/14565432.In_with_the_Out_crowd__on_the_streets_with_Ukip__39_s_David_Coburn/ (June 17, 2016)

“The usual thing — the statistically normal thing — is for the speaker to tell the graduating class that they are going out into a world torn by dissent, racked by problems of unprecedented knottiness and difficulty, and headed for the abyss of destruction unless the graduating class shoulders its burden and does something splendid to put everything right. The speaker generally admits that he is at the end of his tether: he is old, and broken on the wheel of Fate; his decrepitude and his wounds have been received in this great battle with the world's problems. Nothing — absolutely nothing — is to be expected of him in the future. From his failing hands he throws the torch; he plants the task of setting the world right square on the graduating class. He says that he does it with confidence. But he is usually so gloomy that one wonders how much his confidence is worth. Sometimes one gets the impression that immediately after Convocation he is going home to die.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

What Will the Age of Aquarius Bring
One-Half of Robertson Davies (1977)

“It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-pink-panther-2006 of The Pink Panther (10 February 2006)
Reviews, One-and-a-half star reviews

“It is the slow, but steady movement of the lower classes along the scale of the class system. But it has been very very slow. It took 2000 years. But it is something which is going on, and something which is almost spectacular in certain sectors today -assertion of the backward classes, of scheduled castes, of women.”

K. R. Narayanan (1920–2005) 9th Vice President and the 10th President of India

Shri K. R. Narayanan President of India in Conversation with N. Ram on Doordarshan and All India Radio

“Although the "ruling class"disagrees with the populists' moral agenda it tolerates the "moral war"as a means of keeping the lower classes in check, that is, it enables the latter to articulate their fury without disturbing the economic status quo.”

Slavoj Žižek (1949) Slovene philosopher

Source: First as Tragedy, Then as Farce (2009), Chapter One, The Structure of Enemy Propaganda

“In the status game, then, the working-class child starts out with a handicap and, to the extent that he cares what the middle-class persons think of him or has internalised the dominant middle-class attitudes toward social class position, he may be expected to feel some 'shame.”

Albert K. Cohen (1918–2014) American criminologist

Source: Delinquent Boys: The Culture of the Gang, 1955, p. 110

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