
Christian Ethicks (1675); cited from Bertram Dobell (ed.) The Poetical Works of Thomas Traherne, B.D. (London: Bertram Dobell, 1903) p. lvii.
Literature and Marxism (1924)
Christian Ethicks (1675); cited from Bertram Dobell (ed.) The Poetical Works of Thomas Traherne, B.D. (London: Bertram Dobell, 1903) p. lvii.
Quotations from Gurudev’s teachings, Chinmya Mission Chicago
The Art of the Theatre (1925), p. 171
Context: Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
The Soldier's Funeral from The London Literary Gazette (16th November 1822)
The Improvisatrice (1824)
The Beast of Property (1884)
Part 1: "The Creative Mind", §9 ( p. 20 http://books.google.com/books?id=TeHXAAAAMAAJ&q=%22We+re-make+nature+by+the+act+of+discovery+in+the+poem+or+in+the+theorem+And+the+great+poem+and+the+deep+theorem+are+new+to+every+reader+and+yet+are+his+own+experience+because+he+himself+re-creates+them%22&pg=PA20#v=onepage)
Science and Human Values (1956, 1965)
“Who mourns makes grief his master.
Who drinks makes pleasure his master.”
Classical Japanese Database, Translation #41 http://carlsensei.com/classical/index.php/translation/view/41 of a Saga Diary excerpt (Translation: Robert Hass)
Statements
Context: It rains during the morning. No visitors today. I feel lonely and amuse myself by writing at random. These are the words:
Who mourns makes grief his master.
Who drinks makes pleasure his master.
Cassandra (1860)
Context: Jesus Christ raised women above the condition of mere slaves, mere ministers to the passions of the man, raised them by His sympathy, to be Ministers of God. He gave them moral activity. But the Age, the World, Humanity, must give them the means to exercise this moral activity, must give them intellectual cultivation, spheres of action.