“For the first time a subject is present, not by virtue of its absence, but actually present, though its appearance is torn away, and only the structure bared. The Modern City! Precise, rectangular, squared, whether seen from above, below, or on the side; bright lights and sterilized life; Broadway, whites and blacks; and boogie-woogie; the underground music of the at once resigned and rebellious... Mondrian has left his white paradise, and entered the world.”

—  Mark Rothko

1942, on the late painting 'Broadway Boogie Woogie' of Piet Mondrian
Quote of Rothko, in Painters Objects, Robert Motherwell, pp. 95, 96; as cited in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, pp. 128-129
1940's

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "For the first time a subject is present, not by virtue of its absence, but actually present, though its appearance is t…" by Mark Rothko?
Mark Rothko photo
Mark Rothko 36
American painter 1903–1970

Related quotes

Antonin Artaud photo

“It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Appeal to Youth: Intoxication-Disintoxication (1934).

F. Scott Fitzgerald photo
William Faulkner photo

“If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green.”

William Faulkner (1897–1962) American writer

A statement regarding the Emmett Till murder.
Paris Review interview (1958)
Context: If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. Maybe the purpose of this sorry and tragic error committed in my native Mississippi by two white adults on an afflicted Negro child is to prove to us whether or not we deserve to survive. Because if we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.

Thomas Campbell photo

“Absence! is not the soul torn by it
From more than light, or life, or breath?
'Tis Lethe's gloom, but not its quiet,—
The pain without the peace of death!”

Thomas Campbell (1777–1844) British writer

"Absence", The poetical works of Thomas Campbell (1837)

Richard Wright photo
Richard Salter Storrs photo
Roger Ebert photo

“Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Richard Rodríguez photo

“Nothing is as it seems. Black can appear white when the light is blinding but white loses all luster at the faintest sign of darkness.”

Christopher Pike (1954) American author Kevin Christopher McFadden

Source: Evil Thirst

Yasunari Kawabata photo

“That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music.”

Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.

Related topics