“I painted for 20 years without liking them very much, you know. I burnt them at the end of every year. For 20 years I burnt the whole bunch because I didn't want them to get in the market. And well, sometimes when I was starving, I used to sell one cheap, you know. But I always regretted it because you hate to think of a painting in somebody's house that you don't like well enough, you know.”

— Agnes Martin

after 2000, Agnes Martin: Between the Lines', 2002

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Agnes Martin 48

American artist 1912–2004

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“As I sometimes said to the important Jews, when I had them, something like: 'Well then, do you know where you are? You're with the Czar of the Jews. Don't you know that, didn't you see the Pariser Tageblatt?!”

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“Do you know what I really need to make a well-finished painting? 2 years at Gérome or somebody like him, working in the studio.... because that is the only way to become a good painter. That whole business.. then a small watercolour than a little painting and finally when I have earned so much that I could study, I have become too old and too miserable.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Weet U wat ik nodig heb om een goed afgewerkt schilderij te maken? 2 jaar bij Gérome of zoo iemand op 't atelier te werken.. ..want dat is de enige manier om een goed schilder te worden. Dat gewurm, dan een aquarelletje dan een schilderijtje en eindelijk als ik daardoor zo veel verdiend heb dat ik zou kunnen studeeren ben ik te oud en te beroerd geworden.
In his letter to A.P. van Stolk, nr. 51, c. 1884; RKD-Archive, The Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 29
Breitner responds to accusations from his Maecenas that he refused to learn from well-known Dutch painters how to finish his paintings well. In 1884 already Breitner started in the studio of Cormon in Paris
before 1890

“"I know you don't have to help us out-it's a favor-"
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“When the paintings suddenly started going for, like, really big money it definitely weirded me out, and I kind of went away to the middle of nowhere and I stopped making any more paintings. But the whole time the auction houses were just selling paintings that I’d done years before and sold for not much money. Or paintings that I traded for a haircut or, you know, an ounce of weed and they were going for like 50 grand.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

lightly edited
Other sources

“Or when people break up, they always use a bunch of lines on each other, you know, terrible rubbish lies, like "It’s not you, it’s me, it’s me." It’s NEVER you, it’s always them! You should level with these people! Tell them! "You know that strange sound you used to hear when you were going to sleep? That was me CHEWING the bed, out of sheer boredom! OOOOHH, How I HATE you, I hate you so much it gives me energy! I have to get up early in the morning to hate you because there isn’t time enough in the day. Please, GO AWAY!" Or that other BULLSHIT: "I need more space!" People never quantify exactly how much space they really need.. do they? But strangely enough, it always seems to be the exact same height, depth and breadth as you.”

Dylan Moran (1971) Irish actor and comedian

On breakups.
Monster (2004)

“You cannot know at all what will comes out of you because all your knowledge is running otherwise. What you do not know and what you thought that there would not come at all, that comes out and appears at once, sometimes with a curse and a sigh, and there you have it. - Everything ends well. I made things that I had forgotten for twenty five years. At first I knew them too well, but then I forgot them, I 'had to' forget them. And then I made them. - If some work does not becomes beautiful, well, then you go back to do something else. Worrying doesn't help at all. It will be better later? No, you should not say such things, because you don't know anything about 'becoming better'. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): Je kunt er niets van weten wat er uit je komt: al je weten komt verkeerd uit: wat je niet weet en heelemaal niet dacht dat er komen zou, dat komt er in eenen, soms met een vloek en een zucht, en daar heb je 't. - Alles komt terecht. Ik heb dingen gemaakt, die ik vergeten had van voor vijf en twintig jaar. Eerst wist ik ze te goed, maar toen vergat ik ze, ik moest ze vergeten en toen maakte ik ze. - Als iets niet mooi wordt, dan ga je maar weer aan wat anders. Tobben geeft niet. Straks beter? Neen, straks beter, dat moet men ook niet meer zeggen. Je weet niet of het straks beter wordt. (translation from the original Dutch: Fons Heijnsbroek)
Quote of Israels, as cited in a letter of A. Verwey, The Hague 28 August 1888, to his wife K. van Vloten; as cited in Briefwisseling 1 juli 1885 tot 15 december 1888 (1995)–Albert Verwey http://www.dbnl.org/tekst/verw008brie01_01/verw008brie01_01_0580.php, pp. 497-98
Quotes of Jozef Israels, 1871 - 1900

“I think I was pretty much constant, unvarying, for 20 years. So, I do want to give myself a pat on the back for focusing on one career without any dramatic slumps for the last 20 years. But [personally] I don’t want a son like me. I don’t think that highly of myself.”

Gong Yoo (1979) South Korean actor

Source: "Gong Yoo talks life, death and 20 years in the business" in Korea JoongAng Daily https://koreajoongangdaily.joins.com/2021/04/19/entertainment/movies/Gong-Yoo-actor-interview/20210419145803689.html (19 April 2021)

“I paint very large pictures. I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them however, - I think it applies to other painters I know -, is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.”

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1950's
Source: Interiors, Vol. 110, no 10, May 1951; as quoted in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 172

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Agnes Martin 48

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