“Nor let the critic, if he find the meaning of Camoens in some instances altered, imagine that he has found a blunder in the Translator. … It was not to gratify the dull few, whose greatest pleasure in reading a translation is to see what the author exactly says; it was to give a poem that might live in the English language which was the ambition of the Translator. … And the original is in the hands of the world.”

— William Julius Mickle

Introduction (p. cli)
The Lusiad; Or, The Discovery of India: an Epic Poem (1776)

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William Julius Mickle 17

British writer 1734–1788

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

“A translation is no translation, he said, unless it will give you the music of a poem along with the words of it.”

John Millington Synge (1871–1909) Irish playwright, poet, prose writer, and collector of folklore

The Aran Islands (1907)

“The greatest pleasure in translating is precisely this feeling of spiritual closeness and spiritual merging with the translated author. Moreover this spiritual relation is different with every writer.”

Ventseslav Konstantinov (1940–2019) Bulgarian writer and Translator

As quoted in "From Bach to Kafka, or... about temptation - An interview by Emil Bassat http://darl.eu/intervie/84_05_30.htm" in Sofia News (30 May 1984).

“When I started to make translations I was just doing it intuitively, and my tendency was to stick to the original as much as possible. Then I gained more confidence in my own poetry and my own writing and I began to become less concerned about being strictly faithful to the original and more concerned with producing a good poem in English. What I have often found—especially in the translations that are done by scholars—is that they’re very faithful to the content of the original language, but in English they don’t really sound that good as poems.”

Francisco Aragón (1968) poet

On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

“English translation of the Spanish language text.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

Vogue, Mexico Interview: Una Actirz Multiplicada (July 1992)

“Faction is the greatest evil and the most common danger. "Faction" is the conventional English translation of the Greek stasis, one of the most remarkable words to be found in any language.”

Moses I. Finley (1912–1986) American historian

Source: Democracy Ancient And Modern (Second Edition) (1985), Chapter 2, Athenian Demagogues, p. 44

“Chance of source language influencing the target language and that of the translator intervening onto the style of original writer are major challenges in literary translation.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

“Translations [into the German language], even the best ones, proceed from a mistaken premise. They want to turn Hindi, Greek, English into German instead of turning German into Hindi, Greek, English. … The basic error of the translator is that he preserves the state in which his own language happens to be instead of allowing his language to be powerfully affected by the foreign tongue.”

Rudolf Pannwitz (1881–1969) German writer and philosopher

Unsere übertragungen, auch die besten, gehen von einem falschen grundsatz aus, sie wollen das indische, griechische, englische verdeutschen, anstatt das deutsche zu verindischen, vergriechischen, verenglischen. ... Der grundsätzliche irrtum des übertragenden ist, daß er den zufälligen stand der eigenen sprache festhält, anstatt sie durch die fremde gewaltig bewegen zu lassen.
Die Krisis der europäischen Kultur (1917), as translated in Walter Benjamin, Selected Writings: Volume 1, 1913-1926 (1996), pp. 261-262

“The best critic of a translation is its second translation and nothing else. The person who translates a text should have something to say about that.”

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

“On translating text into the new language as it is in source language, there is a chance of it being emerged as an absurd sentence in the target language making no sense at all. In the attempt to make the translation meaningful to the target language, there exists a risk of the original work getting meddled by the translator’s style.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

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William Julius Mickle 17

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