Stanza 4.
Carcassonne, (c. 1887; with translation by John Reuben Thompson)
The Tonight Show with Jay Leno (3 April 2003)
On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
The Sixteenth Revelation, Chapter 73
Context: When we begin to hate sin, and amend us by the ordinance of Holy Church, yet there dwelleth a dread that letteth us, because of the beholding of our self and of our sins afore done. And some of us because of our every-daily sins: for we hold not our Covenants, nor keep we our cleanness that our Lord setteth us in, but fall oftentimes into so much wretchedness that shame it is to see it. And the beholding of this maketh us so sorry and so heavy, that scarsely we can find any comfort.
And this dread we take sometime for a meekness, but it is a foul blindness and a weakness. And we cannot despise it as we do another sin, that we know: for it cometh of Enmity, and it is against truth. For it is God’s will that of all the properties of the blissful Trinity, we should have most sureness and comfort in Love: for Love maketh Might and Wisdom full meek to us. For right as by the courtesy of God He forgiveth our sin after the time that we repent us, right so willeth He that we forgive our sin, as anent our unskilful heaviness and our doubtful dreads.
As quoted in Penthouse (September 1988)
Source: The Way of All Flesh (1903), Ch. 66
On Alexander the Great, p. 312
The Persian Boy (1972)
Context: It is better to believe in men too rashly, and regret, than believe too meanly. Men could be more than they are, if they would try for it. He has shown them that. How many have tried, because of him? Not only those I have seen; there will be men to come. Those who look in mankind only for their own littleness, and make them believe in that, kill more than he ever will in all his wars.
Letter 2 (July 17, 1837).
Letters on the Equality of the Sexes and the Condition of Woman (1837)
“Each of us has his weak point where he hides his insecurity.”
Original: (it) Ognuno di noi ha il suo punto debole dove nasconde la propria insicurezza.
Source: prevale.net
