
Actually from State and Revolution by Vladimir Lenin, paraphrasing Marx in The Civil War in France.
Misattributed
Part II. Of the Extent of Sensible Knowledge.
The Physiology of the Senses: Or, How and what We See, Hear, Taste, Feel and Smell (1856)
Actually from State and Revolution by Vladimir Lenin, paraphrasing Marx in The Civil War in France.
Misattributed
Source: (1917), Ch. 5 [Lenin, Vladmir Illych, The State and Revolution, 1917, https://www.marxists.org/archive/lenin/works/1917/staterev/ch05.htm, Marx grasped this essence of capitalist democracy splendidly when, in analyzing the experience of the Commune, he said that the oppressed are allowed once every few years to decide which particular representatives of the oppressing class shall represent and repress them in parliament!]
Stephen M. Kosslyn, William L. Thompson, Giorgio Ganis (2006), The Case for Mental Imagery. p. 44; Cited in: Michael R. W. Dawson (2013). Mind, Body, World: Foundations of Cognitive Science. p. 108
Quote (1908), # 840, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910
"On the Conservation of Force" (1862), p. 278
Popular Lectures on Scientific Subjects (1881)
Context: Every great deed of which history tells us, every mighty passion which art can represent, every picture of manners, of civic arrangements, of the culture of peoples of distant lands or of remote times, seizes and interests us, even if there is no exact scientific connection among them. We continually find points of contact and comparison in our own conceptions and feelings; we get to know the hidden capacities and desires of the mind, which in the ordinary peaceful course of civilised life remain unawakened.
It is not to be denied that, in the natural sciences, this kind of interest is wanting. Each individual fact, taken by itself, can indeed arouse our curiosity or our astonishment, or be useful to us in its practical applications. But intellectual satisfaction we obtain only from a connection of the whole, just from its conformity with law.
Disputed Truth: Memoirs Volume 2 (2008), p. 329
On the Principles of Genial Criticism (1814)
Context: The Good consists in the congruity of a thing with the laws of the reason and the nature of the will, and in its fitness to determine the latter to actualize the former: and it is always discursive. The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.
Source: A Prisoner in Fairyland