“I strongly suspect that most of the great knowers of Suchness paid very little attention to art.… (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

— Aldous Huxley , book The Doors of Perception

The Doors of Perception (1954)

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Aldous Huxley 290

English writer 1894–1963

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“Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

“Great art, for those who insist upon this rather philistine concept (as if un-great art were unworthy of even their most casual and ill-informed attention), makes us stand back and admire.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)
Context: Great art, for those who insist upon this rather philistine concept (as if un-great art were unworthy of even their most casual and ill-informed attention), makes us stand back and admire. It rushes upon us pell-mell like the work of Rubens or Tintoretto or Delacroix, or towers above us. There is of course another aesthetic: the art of a Vermeer or a Braque seeks not to amaze and appal but to invite the observer to come closer, to close with the painting, peer into it, become intimate with it. Such art reinforces human dignity.

“Prana is implicate to matter but explicate to mind; mind is implicate to prana but explicate to soul; soul is implicate to mind but explicate to spirit; and the spirit is the source and suchness of the entire sequence.”

Ken Wilber (1949) American writer and public speaker

Eye to Eye: The Quest for the New Paradigm (1984)

“This is not belittling it, because I do think it's a very emotionally and intellectually complicated physical performance, and it's the combination of those things that made it a little unusual, I suppose. But I definitely rate The Insider and A Beautiful Mind above that. I probably rate Romper Stomper above it. And there's a hell of a lot of nuance going on in L. A. Confidential as well.”

Russell Crowe (1964) New Zealand-born Australian actor, film producer and musician

On his role in Gladiator.
GQ Interview (2005)

“I wrote somewhere once that the third-rate mind was only happy when it was thinking with the majority, the second-rate mind was only happy when it was thinking with the minority, and the first-rate mind was only happy when it was thinking.”

A.A. Milne (1882–1956) British author

War with Honour http://books.google.com/books?id=QmQDAAAAMAAJ&q="I+wrote+somewhere+once+that+the+third+rate+mind+was+only+happy+when+it+was+thinking+with+the+majority+the+second+rate+mind+was+only+happy+when+it+was+with+the+minority+and+a+first+rate+mind+was+only+happy+when+it+was+thinking", Macmillan War Pamphlets, Issue 2 (1940).

“First-rate science fiction was, and remains, more interesting than second-rate art.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, From the Land of Shadows (1982)

“I suspect that the word (art) was invented by second-rate intelligences to describe the incomprehensible activities of their betters.”

Jack Vance book Showboat World

Source: Showboat World (1975), Chapter 10 (p. 111)

“The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm… If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man… For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis”

Georges Braque (1882–1963) French painter and sculptor

1946 - 1963, interview with John Richardson' (1957)

“I would rather present a first-rate version of myself than a second-rate version of Mama.”

Liza Minnelli (1946) American actress and singer

Liza Minelli, as quoted in I Remember It Well (1975) by Vincente Minelli with Hector Arce, p. 395 https://books.google.com/books?id=D6jDtmiJCpkC&q=minelli+%22second-rate%22+%22first-rate+version%22&dq=minelli+%22second-rate%22+%22first-rate+version%22&hl=en&sa=X&ved=0CCoQ6AEwBGoVChMI0on3sqjdxgIVxHg-Ch1NhwVD; reprinted in "Judy and Liza, Part 3" https://news.google.com/newspapers?id=CfpjAAAAIBAJ&sjid=WuYDAAAAIBAJ&pg=7188%2C5401411 by Vincente Minelli, in The Sydney Herald (August 15, 1975), p. 8
Context: I couldn't sing Mama's special songs. I couldn't do them as well. I would rather present a first-rate version of myself than a second-rate version of Mama.

“I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 25.

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Aldous Huxley 290

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