“Now God comes to thee, not as in the dawning of the day, not as in the bud of the spring, but as the sun at noon to illustrate all shadows, as the sheaves in harvest, to fill all penuries, all occasions invite his mercies, and all times are his seasons.”

— John Donne

No. 3, preached on Christmas Day, 1625
LXXX Sermons (1640)

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John Donne 115

English poet 1572–1631

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Context: When man humbles himself, God cannot restrain His mercy; He must come down and pour His grace into the humble man, and He gives Himself most of all, and all at once, to the least of all. It is essential to God to give, for His essence is His goodness and His goodness is His love. Love is the root of all joy and sorrow. Slavish fear of God is to be put away. The right fear is the fear of losing God. If the earth flee downward from heaven, it finds heaven beneath it; if it flee upward, it comes again to heaven. The earth cannot flee from heaven: whether it flee up or down, the heaven rains its influence upon it, and stamps its impress upon it, and makes it fruitful, whether it be willing or not. Thus doth God with men: whoever thinketh to escape Him, flies into His bosom, for every corner is open to Him. God brings forth His Son in thee, whether thou likest it or not, whether thou sleepest or wakest; God worketh His own will. That man is unaware of it, is man's fault, for his taste is so spoilt by feeding on earthly things that he cannot relish God's love. If we had love to God, we should relish God, and all His works; we should receive all things from God, and work the same works as He worketh.

“God never witholds from His child that which His love and wisdom call good. God's refusals are always merciful -- "severe mercies" at times but mercies all the same. God never denies us our hearts desire except to give us something better.”

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Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 372.

“One sunny spring day I heard the music coming down Karl Johan [street] and it filled me with joy. The spring, the sun, the music, all blended together to make me shiver with pleasure. The music added colour to the colours. I painted the picture [his painting 'Music on Karl Johan'] allowing the colours to reverberate with the rhythm of the music. I painted the colours as I saw them at that moment.”

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Quote in 'Livsfrisen tilblivelse', Blomqvist, Oslo 1929, p. 12
1896 - 1930

“It makes no difference abroad,
The seasons fit the same,
The mornings blossom into noons,
And split their pods of flame.

Wild-flowers kindle in the woods,
The brooks brag all the day;
No blackbird bates his jargoning
For passing Calvary.

Auto-da-fé and judgment
Are nothing to the bee;
His separation from his rose
To him seems misery.”

Emily Dickinson (1830–1886) American poet

Nature, p. 120
Collected Poems (1993)

“Remote from man, with God he passed the days;
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The Hermit, line 5.

“Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.”

W.B. Yeats book The Tower

V, st. 2
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

“The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearl'd;
The lark's on the wing;
The snail's on the thorn;
God's in His heaven—
All's right with the world!”

Robert Browning Pippa Passes

Part I, line 221.
Source: Pippa Passes (1841)

“The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearl'd;
The lark's on the wing;
The snail's on the thorn;
God's in His heaven—
All's right with the world!”

Robert Browning Pippa Passes

Part I, line 221.
Pippa Passes (1841)

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