
8
Variant translation: No pleasure is itself a bad thing, but the things that produce some kinds of pleasure, bring along with them unpleasantness that is much greater than the pleasure itself.
Sovereign Maxims
From the ninth book, "The Book of Secrets"
The Pillow Book
8
Variant translation: No pleasure is itself a bad thing, but the things that produce some kinds of pleasure, bring along with them unpleasantness that is much greater than the pleasure itself.
Sovereign Maxims
Source: 1920s, Sceptical Essays (1928), Ch. 8: Eastern and Western Ideals of Happiness
“Why should a sequence of words be anything but a pleasure?”
Answer to a survey written by the French mathematician Jaques Hadamard, from Hadamard's An Essay on the Psychology of Invention in the Mathematical Field (1945). Reprinted in Ideas and Opinions (1954). His full set of answers to the questions can be read on p. 3 here http://www.pitt.edu/~jdnorton/Goodies/Einstein_think/index.html.
1940s
Context: The words or the language, as they are written or spoken, do not seem to play any role in my mechanism of thought. The psychical entities which seem to serve as elements in thoughts are certain signs and more or less clear images which can be "voluntarily" reproduced and combined. There is, of course, a certain connection between those elements and relevant logical concepts. It is also clear that the desire to arrive finally at logically connected concepts is the emotional basis of this rather vague play with the above-mentioned elements.... The above-mentioned elements are, in my case, of visual and some muscular type. Conventional words or other signs have to be sought for laboriously only in a secondary stage, when the mentioned associative play is sufficiently established and can be reproduced at will.
“everything comes and goes; pleasure moves on too early and trouble leaves too slow”
“There is a Dutch word, uitwaaien, “to walk against the wind for pleasure.”
Source: The Signature of All Things
As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.
“When a person can’t find a deep sense of meaning, they distract themselves with pleasure.”
Source: Thought Without a Body? (1994)
Perigrenations Law Form