“I say that the eye is not open when it is limited to the passive role of a mirror – even if the water of that mirror offers some interesting peculiarities.... that eye impresses me as no less dead than the eye of a slaughtered steer if it has only the capacity to reflect – what if it reflects the object in one or in many aspects, in repose or in motion, in waking or in dream? The treasure of the eye is elsewhere! Most artists are still for tuning around the hands of the clock.... without having the slightest concern for the spring hidden in the opaque case. The eye-spring.... Arshile Gorky – for me the first painter to whom the secret have been completely revealed.”

Source: Manuscript Found in Accra

"The Human Situation"
The Still Centre (1939)

Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!

A Mirror of Eternal Blessedness

Mrs. Morehead, act I
The Women (1936)

From The Poetry of Menotti Lerro, p. 41

Letter 54
Letters