
Source: A Manual of the Steam Engine and Other Prime Movers (1859), p. 31
1820s, Signs of the Times (1829)
Source: A Manual of the Steam Engine and Other Prime Movers (1859), p. 31
In : John Cunningham Wood (1993), Léon Walras: The life of Léon Walras and perspectives on his thought. Taylor & Francis, p. 32-33.
As quoted in Gauss, Werke, Bd. 8, page 298
As quoted in Memorabilia Mathematica (or The Philomath's Quotation-Book) (1914) by Robert Edouard Moritz, quotation #1215
As quoted in The First Systems of Weighted Differential and Integral Calculus (1980) by Jane Grossman, Michael Grossman, and Robert Katz, page ii
Elements de la géométrie de l'infini (1727) as quoted by Amir R. Alexander, Geometrical Landscapes: The Voyages of Discovery and the Transformation of Mathematical Practice (2002) citing Michael S. Mahoney, "Infinitesimals and Transcendent Relations: The Mathematics of Motion in the Late Seventeenth Century" in Reappraisals of the Scientific Revolution, ed. David C. Lindberg, Robert S. Westman (1990)
Edward Mailly, Essai sur la vie et les ouv rages de Quetelet in the Annuaire de Vacadimie royale des sciences des lettres et des beaux-arts de Belgique (1875) Vol. xli pp. 109-297 found also in "Conclusions" of Instructions populaires sur le calcul des probabilités p. 230
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
As quoted in the closing address by Dr. Henry Sloane Coffin, president of the Union Theological Seminary, New York, at the Memorial Service for Osborn at St. Bartholomew's Church, N.Y. (18 December 1935); published in "Henry Fairfield Osborn", Supplement to Natural History, Vol. 37, no. 2 (February 1936), p. 133 <!-- Bound in Kofoid Collection of Pamphlets on Biography, University of California -->
Context: Every breath you draw, every accelerated beat of your heart in the emotional periods of your oratory depend upon highly elaborated physical and chemical reactions and mechanisms which nature has been building up through a million centuries. If one of these mechanisms, which you owe entirely to your animal ancestry, were to be stopped for a single instant, you would fall lifeless on the stage. Not only this, but some of your highest ideals of human fellowship and comradeship were not created in a moment, but represent the work of ages.
Source: The mechanization of the world picture, 1961, p. 499
Source: The Mind and the Brain, 1907, p. 43