Source: Faith vs. Fact (2015), p. 170
Source: Sustainable History and the Dignity of Man (2009), p.108
Source: Emotional amoral egoism (2008), p.156
Source: Emotional amoral egoism (2008), p.16
Letter to (22 August 1774), as published in The Life of John Jay (1833) by William Jay, Vol. 2, p. 345.
1770s, Letter to Lindley Murray (1774)
Context: Among the strange things of this world, nothing seems more strange than that men pursuing happiness should knowingly quit the right and take a wrong road, and frequently do what their judgments neither approve nor prefer. Yet so is the fact; and this fact points strongly to the necessity of our being healed, or restored, or regenerated by a power more energetic than any of those which properly belong to the human mind.
We perceive that a great breach has been made in the moral and physical systems by the introduction of moral and physical evil; how or why, we know not; so, however, it is, and it certainly seems proper that this breach should be closed and order restored. For this purpose only one adequate plan has ever appeared in the world, and that is the Christian dispensation. In this plan I have full faith. Man, in his present state, appears to be a degraded creature; his best gold is mixed with dross, and his best motives are very far from being pure and free from earth and impurity.
“Victims. Victims of a transitional period of morality. That is what we both certainly are.”
Source: The Setting Sun
Source: Sustainable History and the Dignity of Man (2009), p.128
Source: Emotional amoral egoism (2008), p.203
" Biblical morality part 2: Killing non-virgin brides and rebellious kids http://whyevolutionistrue.wordpress.com/2012/06/26/biblical-morality-part-2-killing-non-virgin-brides-and-rebellious-kids/" June 26, 2012
"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
