“No hay trabajo malo… lo malo es tener que trabajar. (Spanish for, There is no bad work… the bad thing is having to work.)”
No hay trabajo malo... lo malo es tener que trabajar. https://www.youtube.com/watch?v=PMwNBZ7DZNM
As Don Ramón
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Ramón Valdés 7
Mexican actor 1923–1988Related quotes
Karma yoga
Source: The Teachings of Babaji, 1 February 1984.
“Of human work none but what is bad can be perfect in its own bad way.”
Volume II, chapter VI, section 24 http://books.google.com/books?id=AwICAAAAYAAJ&q=%22Of+human+work+none+but+what+is+bad+can+be+perfect+in+its+own+bad+way%22&pg=PA189#v=onepage.
The Stones of Venice (1853)
“Man, whence is he? / Too bad to be the work of a god, too good for the work of chance.”
Gotthold Ephraim Lessing, as quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood, p. 61; usually attributed to Doris Lessing in the form: "Man — who is he? Too bad, to be the work of God: Too good for the work of chance!"
Misattributed
“Man, whence is he?
Too bad to be the work of a god, too good for the work of chance.”
Der Mensch, wo ist er her?
Zu schlecht für einen Gott, zu gut fürs Ungefähr.
As quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood, p. 61
Variant: Man — who is he? Too bad to be the work of God; Too good for the work of chance!
I wish to play with human feeling, with its 'morbidity' in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.
Quote from Klein's 'Chelsea Hotel Manifesto', 1961; from the Yves Klein Archives - archived from the original on 15 January 2013; as cited on Wikipedia: Yves Klein
After the opening of his unsuccessful exhibition at Leo Castelli's Gallery, New York 1961, Klein stayed with Rotraut Uecker (fr) at the Chelsea Hotel for the duration of the exhibition. While there, he wrote the 'Chelsea Hotel Manifesto', a proclamation of the 'multiplicity of new possibilities'
1960 -1964
Speech at Stockport (14 November 1936), The Manchester Guardian (15 November 1936), quoted in Hugh Dalton, The Fateful Years. Memoirs 1931-1945 (London: Frederick Muller Ltd, 1957), p. 151.