“There is only one thing a writer can write about: what is in front of his senses at the moment of writing… I am a recording instrument… I do not presume to impose "story "plot" "continuity"… Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function… I am not an entertainer.”

— William S. Burroughs , book Naked Lunch

Atrophied Preface
Naked Lunch (1959)

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William S. Burroughs 110

American novelist, short story writer, essayist, painter, a… 1914–1997

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“I am a novelist, not an activist… But I think that no one who reads what I write or who listens to my lectures can doubt that I am enlisted in the freedom movement. As an individual, I am primarily responsible for the health of American literature and culture. When I write, I am trying to make sense out of chaos. To think that a writer must think about his Negroness is to fall into a trap.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

As quoted in "An American Novelist Who Sometimes Teaches" by John Corry http://www.nytimes.com/books/99/06/20/specials/ellison-teaches.html in The New York Times (20 November 1966).

“I may write only what I know in space: I am that I am.”

Brion Gysin (1916–1986) Canadian artist

Notes on Painting, Tuning in to the Multimedia Age, p. 96.

“For me, research is very important. But I do not begin with research. I begin with writing the story, which for me is the relationship between the characters. It is after I have written or pretty much have a sense of the story that I go and do research. I am conscious that I am writing about poor people for the most part. They don’t have much other than their space or dirt. I want to do my best to represent that well. I am also conscious that I am writing about other countries. I want to make sure I understand those cultures as best as possible and represent them well…”

Uwem Akpan (1971) Nigerian Jesuit priest and writer

On the secondary nature of historical research in his writing process in “UWEM AKPAN | INTERVIEW” https://granta.com/interview-uwem-akpan/ in Granta (2008 Nov 14)

“We are not nouns, we are verbs. I am not a thing - an actor, a writer - I am a person who does things - I write, I act - and I never know what I'm going to do next. I think you can be imprisoned if you think of yourself as a noun.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

“I hate writing. I so intensely hate writing — I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn’t really succeed in telling what I wanted to tell, that I need a new project — it’s an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.”

Slavoj Žižek (1949) Slovene philosopher

Conversations with Žižek by Slavoj Žižek and Glyn Daly (Cambridge: Polity Press, 2004), p. 42

“If I am prevented by others from doing what I could otherwise do, I am to that degree unfree; and if this area is contracted by other men beyond a certain minimum, I can be described as being coerced, or, it may be, enslaved.”

Isaiah Berlin (1909–1997) Russo-British Jewish social and political theorist, philosopher and historian of ideas

Five Essays on Liberty (2002), Two Concepts of Liberty (1958)
Context: I am normally said to be free to the degree to which no man or body of men interferes with my activity. Political liberty in this sense is simply the area within which a man can act unobstructed by others. If I am prevented by others from doing what I could otherwise do, I am to that degree unfree; and if this area is contracted by other men beyond a certain minimum, I can be described as being coerced, or, it may be, enslaved. Coercion is not, however, a term that covers every form of inability. If I say that I am unable to jump more than ten feet in the air, or cannot read because I am blind, or cannot understand the darker pages of Hegel, it would be eccentric to say that I am to that degree enslaved or coerced. Coercion implies the deliberate interference of other human beings within the area in which I could otherwise act.

“There is only one thing about which I am certain, and this is that there is very little about which one can be certain.”

W. Somerset Maugham book The Summing Up

Source: The Summing Up (1938), Ch. 5, p. 12 http://books.google.com/books?id=2hNbAAAAMAAJ&q=%22There+is+only+one+thing+about+which+I+am+certain+and+this+is%22&pg=PA12#v=onepage- 13 http://books.google.com/books?id=2hNbAAAAMAAJ&q=%22that+there+is+very+little+about+which+one+can+be+certain%22&pg=PA13#v=onepage

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

“A lot of times, as I like to say, I was the only chip in the cookie…I chose to embrace who I am and what I do, and keep my head down and keep writing, and hoped that things would change. But it was lonely in the sense that I was the only.”

Beverly Jenkins (1951) American author of historical and contemporary romance novels

On being the sole African American romance novelist at the start of her career in “Romance Novelist Beverly Jenkins Talks Normalizing Diversity in Her Genre” https://www.shondaland.com/inspire/books/a12821649/beverly-jenkins-romance-interview/ in Shondaland (2017 Oct 12)

“When I write I am attempting to do justice to something I have glimpsed about the world.”

Jan Zwicky (1955) Canadian philosopher

Griffin Prize Questionnaire June 2012
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William S. Burroughs 110

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