
Source: The Image of the Future, 1973, p. 1 (partly cited in: European Centre for Leisure and Education (1975) Society and leisure. Vol. 7. p. 22)
Source: So I think, so I paint (1947), p. 112
Source: The Image of the Future, 1973, p. 1 (partly cited in: European Centre for Leisure and Education (1975) Society and leisure. Vol. 7. p. 22)
In a letter to H. P. Bremmer (Dutch art-critic and buyer of his paintings), Paris 29 January 1914; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 75
1910's
The Ayn Rand Column ‘Introducing Objectivism’
Sources of Chinese Tradition (1999), vol. 1, p. 180
Human nature is evil
"Notice sur Halphen," Journal de l'École Polytechnique (Paris, 1890), 60ème cahier, p. 143. See also Tobias Dantzig, Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954) p. 8
Context: A scientist worthy of the name, above all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.... we work not only to obtain the positive results which, according to the profane, constitute our one and only affection, as to experience this esthetic emotion and to convey it to others who are capable of experiencing it.
Quote, c. 1915 in: 'Cubofuturism', Malevich, in Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, pp. 59-60
1910 - 1920
“It's the soul's duty to be loyal to its own desires. It must abandon itself to its master passion.”
the first lines in 'Manifesto du Surréalisme', Andre Breton, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)