“Economic knowledge necessarily leads to liberalism.”
Ludwig von Mises (1881–1973) austrian economist
Source: How Europe Underdeveloped Africa (1972), p. 214.
“Economic knowledge necessarily leads to liberalism.”
Ludwig von Mises (1881–1973) austrian economist
Evelyn Baring, 1st Earl of Cromer (1841–1917) British diplomat
Political and Literary Essays, 1908-1913
Max Shachtman (1904–1972) American Marxist theorist
Socialist Policy and the War in New International p. 200, 1951
Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…
Quoted from “The Labor Charter: The Corporate State and its Organization”, promulgated by Mussolini's Grand Council of Fascism, Article 9, (April 21, 1927) Copy found in Mediterranean Fascism 1919-1945, Charles F. Delzell, The MacMillan Press, (1971) p. 122. Also in Benito Mussolini’s “Doctrine of Fascism”, published as “Fascism: Doctrine and Institutions” (1935), Rome: Ardita Publishers, p.135-136.
1920s
Paulo Freire (1921–1997) educator and philosopher
Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)
Ivar Giaever (1929) Norwegian physicist
In fact, I am convinced that often a newcomer to a field has a great advantage because he is ignorant and does not know all the complicated reasons why a particular experiment should not be attempted.
Nobel lecture (1973)
Estes Kefauver (1903–1963) American politician
Senate Hearing, 1947, reported in Michael J. Sandel, Democracy's Discontent: America in Search of a Public Philosophy (1998), p. 243.
Charles de Lint (1951) author
"Romano Drom" in Dreams Underfoot : The Newford Collection (2003), p. 118
Rollo May (1909–1994) US psychiatrist
Ch 3 : Creativity and the Unconcious, p. 76
The Courage to Create (1975)
Context: Dogmatists of all kinds — scientific, economic, moral, as well as political — are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyers of our nicely ordered systems. For the creative impulse is the speaking of the voice and the expressing of the forms of the preconscious and unconscious; and this is, by its very nature, a threat to rationality and external control.